From the immediate Post-war period to present day Japanese filmmakers have employed the\ud visual experience of cinema to offer a more nuanced and complex expression of the human\ud condition. Focusing on films by influential directors including Ozu Yasujirō, Kurosawa Akira,\ud Mizoguchi Kenji, Honda Ishirō, Itami Juzo, and Miyazaki Hayao this course considers how\ud Japanese filmmakers use cinema to investigate issues of truth, beauty, identity, nationhood, and\ud even humor in an attempt to answer fundamental questions regarding life and death in Japan’s\ud Post-war period. Different approaches will be taken to the study of Japanese cinema including\ud an examination of its relationship to literature, politics, religion, gender, world cin...
The Post World War II films of Akira Kurosawa (1910-1998) and Yasujiro Ozu (1903-1963) share a tradi...
The knowledge of cinema, domestic or foreign, possessed by Japanese university students is hopelessl...
There’s a Japanese film industry, and then there’s ‘Japanese Cinema’ – a construct we imagine and cr...
From the immediate Post-war period to present day Japanese filmmakers have employed the visual exper...
This course includes surveys for both cinematic and literary representations of diverse eras and asp...
Interest in modern and contemporary Japanese visual culture—whether through film, art history, or li...
By following the films of directors Akira Kurosawa ( 黒澤明), Yasujiro Ozu ( 小津安二郎), Masaki Kobayashi (...
This work utilizes a spatial theory approach to meditate on postwar Japanese society and cinema. It ...
Offers the first ethno-historical study of cinema-going and film viewership in Japan
In A New History of Japanese Cinema Isolde Standish focuses on the historical development of Japanes...
This dissertation takes an unusual path to trace the visions of postwar Japanese cinema: a popular f...
This research is an in depth, interdisciplinary analysis of Japanese film history, with the focus be...
This valuable anthology offers 15 essays of unrelenting quality and fascination. The \u22D\u22 secti...
Japanese cinemas that were produced under the umbrella term of New Wave marked a new regime of image...
This chapter draws from an ethno-historical investigation of Japanese film reception to demonstrate ...
The Post World War II films of Akira Kurosawa (1910-1998) and Yasujiro Ozu (1903-1963) share a tradi...
The knowledge of cinema, domestic or foreign, possessed by Japanese university students is hopelessl...
There’s a Japanese film industry, and then there’s ‘Japanese Cinema’ – a construct we imagine and cr...
From the immediate Post-war period to present day Japanese filmmakers have employed the visual exper...
This course includes surveys for both cinematic and literary representations of diverse eras and asp...
Interest in modern and contemporary Japanese visual culture—whether through film, art history, or li...
By following the films of directors Akira Kurosawa ( 黒澤明), Yasujiro Ozu ( 小津安二郎), Masaki Kobayashi (...
This work utilizes a spatial theory approach to meditate on postwar Japanese society and cinema. It ...
Offers the first ethno-historical study of cinema-going and film viewership in Japan
In A New History of Japanese Cinema Isolde Standish focuses on the historical development of Japanes...
This dissertation takes an unusual path to trace the visions of postwar Japanese cinema: a popular f...
This research is an in depth, interdisciplinary analysis of Japanese film history, with the focus be...
This valuable anthology offers 15 essays of unrelenting quality and fascination. The \u22D\u22 secti...
Japanese cinemas that were produced under the umbrella term of New Wave marked a new regime of image...
This chapter draws from an ethno-historical investigation of Japanese film reception to demonstrate ...
The Post World War II films of Akira Kurosawa (1910-1998) and Yasujiro Ozu (1903-1963) share a tradi...
The knowledge of cinema, domestic or foreign, possessed by Japanese university students is hopelessl...
There’s a Japanese film industry, and then there’s ‘Japanese Cinema’ – a construct we imagine and cr...