The major nineteenth-century British texts of the fairy tale Jack and the Beanstalk are read in light of the colonial impulses and backdrop that helped write the story. The oral tradition (represented by Benjamin Tabart) and the literary (represented by Joseph Jacobs) are each inscribed with an ethic in which the happy ending is ensured through material success. Importantly, this material success is played out through a colonial mindset, which uses the character of Jack, acting in the role of both colonizer and trickster, and his bid to overthrow the Giant to demonstrate the moral and social efficacy of an imperial world view
Performing the other on the popular London stage: Exotic people and places in Victorian pantomim
The chapter approaches Jack the Ripper as a fictional rather than historical figure within the conte...
Explores the historical rise of the literary fairy tale as genre in the late seventeenth century. In...
The major nineteenth-century British texts of the fairy tale Jack and the Beanstalk are read in li...
Children\u27s literature often does not hold the same weight in the studies of a culture as its big ...
A cheap, mass-produced print form of between 8 and 32 pages, chapbooks are among the most versatile ...
Peter Carey’s Jack Maggs (1997) shows the fascination of Victorian Britain for the occult and its li...
https://digitalcommons.portlandlibrary.com/childrenstheatre_photos/1001/thumbnail.jp
Andrew Lang’s Fairy Books (1889–1910) not only contain implicit and explicit references to coloniali...
Although the folktale “Jack and the Beanstalk” is usually listed under Aarne-Thompson 328, The Boy S...
Homi Bhabha's metophor of space in The Location of Culture and Edward Said's view of the inherent te...
This thesis considers the colonial literary relationship between the centre and the margin in the fi...
Scholarship on the history of print culture has largely overlooked the influence of fairy tales on t...
This project uses pivotal texts belonging to several nineteenth-century literary subgenres—adventure...
From Edison films catalog: A grand spectacular performance in nine scenes and one tableau, illustrat...
Performing the other on the popular London stage: Exotic people and places in Victorian pantomim
The chapter approaches Jack the Ripper as a fictional rather than historical figure within the conte...
Explores the historical rise of the literary fairy tale as genre in the late seventeenth century. In...
The major nineteenth-century British texts of the fairy tale Jack and the Beanstalk are read in li...
Children\u27s literature often does not hold the same weight in the studies of a culture as its big ...
A cheap, mass-produced print form of between 8 and 32 pages, chapbooks are among the most versatile ...
Peter Carey’s Jack Maggs (1997) shows the fascination of Victorian Britain for the occult and its li...
https://digitalcommons.portlandlibrary.com/childrenstheatre_photos/1001/thumbnail.jp
Andrew Lang’s Fairy Books (1889–1910) not only contain implicit and explicit references to coloniali...
Although the folktale “Jack and the Beanstalk” is usually listed under Aarne-Thompson 328, The Boy S...
Homi Bhabha's metophor of space in The Location of Culture and Edward Said's view of the inherent te...
This thesis considers the colonial literary relationship between the centre and the margin in the fi...
Scholarship on the history of print culture has largely overlooked the influence of fairy tales on t...
This project uses pivotal texts belonging to several nineteenth-century literary subgenres—adventure...
From Edison films catalog: A grand spectacular performance in nine scenes and one tableau, illustrat...
Performing the other on the popular London stage: Exotic people and places in Victorian pantomim
The chapter approaches Jack the Ripper as a fictional rather than historical figure within the conte...
Explores the historical rise of the literary fairy tale as genre in the late seventeenth century. In...