Add to ORKGThinking about the contrasts between science and art one might conclude that each belongs to totally different domains; each unconnected from the other. By approaching data through both science and arts practice I aim to show that it is possible to grasp alternative propositions that express new ideas common to both disciplines. Not to articulate scientific truth, but to illuminate other alternative potentials for utilising Advanced imaging and Microscopy data.</p
Historically, the ACM Multimedia Conference is split into a technical program and an arts progra...
Hybrid artist-scientists are now fairly common. It wasn’t always thus. Certainly music has a relativ...
Experimental intra-disciplinary praxis forms the basis of this research, specifically bridging the d...
Thinking about the contrasts between science and art one might conclude that each belongs to totally...
This chapter maps how art created from scientific image data from different imaging laboratories can...
From prehistoric times to the Renaissance, there was little distinction drawn between art and scienc...
Artists and scholars have long been interested in the relations between art and science. However, on...
Here I examine the potential for art-science collaborations to be the basis for deliberative discuss...
In a time in which scientific knowledge is in danger of being discredited, we return to the responsi...
Over the last two decades, multiple initiatives of transdisciplinary collaboration across art, scien...
This edited volume maps dialogues between science and technology studies research on the arts and th...
Creativity should be at the core of all forms of education and research. It is argued here that we u...
Science and art have long been studied interchangeably, with notable polymaths emerging in the Renai...
Over the last two decades, multiple initiatives of transdisciplinary collaboration across art, scien...
Over the last two decades, multiple initiatives of transdisciplinary collaboration across art, scien...
Historically, the ACM Multimedia Conference is split into a technical program and an arts progra...
Hybrid artist-scientists are now fairly common. It wasn’t always thus. Certainly music has a relativ...
Experimental intra-disciplinary praxis forms the basis of this research, specifically bridging the d...
Thinking about the contrasts between science and art one might conclude that each belongs to totally...
This chapter maps how art created from scientific image data from different imaging laboratories can...
From prehistoric times to the Renaissance, there was little distinction drawn between art and scienc...
Artists and scholars have long been interested in the relations between art and science. However, on...
Here I examine the potential for art-science collaborations to be the basis for deliberative discuss...
In a time in which scientific knowledge is in danger of being discredited, we return to the responsi...
Over the last two decades, multiple initiatives of transdisciplinary collaboration across art, scien...
This edited volume maps dialogues between science and technology studies research on the arts and th...
Creativity should be at the core of all forms of education and research. It is argued here that we u...
Science and art have long been studied interchangeably, with notable polymaths emerging in the Renai...
Over the last two decades, multiple initiatives of transdisciplinary collaboration across art, scien...
Over the last two decades, multiple initiatives of transdisciplinary collaboration across art, scien...
Historically, the ACM Multimedia Conference is split into a technical program and an arts progra...
Hybrid artist-scientists are now fairly common. It wasn’t always thus. Certainly music has a relativ...
Experimental intra-disciplinary praxis forms the basis of this research, specifically bridging the d...