Phase Two of CURRENT: Contemporary Art from Scotland grasps the restless energies of now by means of two contrasting takes on the moving image; REWIND and >>FFWD. Crashing in and out of focus, cutting and editing time the moving image is the aesthetic medium of the contemporary. Yet as a medium it holds more than just the present moment, its play of film strips and pixels is marked by radical histories. Excavating this radical history encapsulated in seminal artists’ video works from the 1970’s and 80’s REWIND provides an in-depth historical perspective with which to grasp the condition of the contemporary as a moving image falling in and out of history
"Tracking the changing forms of video art in relation to the revolution in electronic and digital im...
The paper considers the role of photography in the era of the moving image, in particular how still ...
This article addresses how and why video art shaped the museum environment for the 21st century. The...
Phase Two of CURRENT: Contemporary Art from Scotland grasps the restless energies of now by means of...
A history and analysis of the first years of video art in England and Scotland based on extensive ar...
Rewind: Artists’ video in the 70s and 80s derives from a four-year research project into the history...
Between the discrete artistic disciplines, academic fields and infrastructures of filmmaking and vis...
17 December 2016 – 15 January 2017Curated by Cooper Gallery DJCAD, University of Dundee in collabora...
The century-long engagement of museums with the moving image is examined through a case study of its...
Exhibition Dates: 17 December 2016 - 15 January 2017Venue: Shanghai Himalayas Art Museum, China Part...
Video art as a ‘movement’ within fine arts played an important role in the development of contempora...
It is largely accepted that contemporary Chinese video art first emerged in 1988. While visual artis...
Video art as a ‘movement’ within fine arts played an important role in the development of contempora...
To celebrate the flourishing artists’ moving image practice in Scotland and the triumph of the inter...
Exhibition Catalogue of CURRENT: Contemporary Art from Scotland Phase Two. Organised by Shaghai Mins...
"Tracking the changing forms of video art in relation to the revolution in electronic and digital im...
The paper considers the role of photography in the era of the moving image, in particular how still ...
This article addresses how and why video art shaped the museum environment for the 21st century. The...
Phase Two of CURRENT: Contemporary Art from Scotland grasps the restless energies of now by means of...
A history and analysis of the first years of video art in England and Scotland based on extensive ar...
Rewind: Artists’ video in the 70s and 80s derives from a four-year research project into the history...
Between the discrete artistic disciplines, academic fields and infrastructures of filmmaking and vis...
17 December 2016 – 15 January 2017Curated by Cooper Gallery DJCAD, University of Dundee in collabora...
The century-long engagement of museums with the moving image is examined through a case study of its...
Exhibition Dates: 17 December 2016 - 15 January 2017Venue: Shanghai Himalayas Art Museum, China Part...
Video art as a ‘movement’ within fine arts played an important role in the development of contempora...
It is largely accepted that contemporary Chinese video art first emerged in 1988. While visual artis...
Video art as a ‘movement’ within fine arts played an important role in the development of contempora...
To celebrate the flourishing artists’ moving image practice in Scotland and the triumph of the inter...
Exhibition Catalogue of CURRENT: Contemporary Art from Scotland Phase Two. Organised by Shaghai Mins...
"Tracking the changing forms of video art in relation to the revolution in electronic and digital im...
The paper considers the role of photography in the era of the moving image, in particular how still ...
This article addresses how and why video art shaped the museum environment for the 21st century. The...