In the beginning of the nineteenth century, the Southern Netherlands saw the rise of a renewed interest in national artistic and antiquarian heritage among local amateurs. Perhaps rather unexpectedly, the city of Ghent was praised as a centre of private collecting, equal to the traditional artistic capitals Brussels and Antwerp. The local press as well as foreign (mostly German and English) travellers praised the Flemish town for its numerous rich collections of “national antiquities”. The local collectors had a particular preference for Netherlandish stained glass from the fifteenth to the seventeenth centuries, due to the decorative, artistic and national-historical value these objects had for them. Based on contemporary publications such...
As now, Belgium was home to a remarkably large number of private art and antiques collections throug...
In the furniture trade of the Netherlands in the second half of 19th and early 20th century it becam...
During the long nineteenth century Belgium was home to a remarkably large number of private art and ...
In the beginning of the nineteenth century, the Southern Netherlands saw the rise of a renewed inter...
The Mayer van den Bergh Museum in Antwerp, Belgium, contains a fine collection of stained-glass pane...
The Mayer van den Bergh Museum in Antwerp, Belgium, contains a fine collection of stained-glass pane...
The Mayer van den Bergh Museum in Antwerp, Belgium, contains a fine collection of stained-glass pane...
The Mayer van den Bergh Museum in Antwerp, Belgium, contains a fine collection of stained-glass pane...
The craft of making stained glass all but disappeared from the northern Netherlands in the long eigh...
The craft of making stained glass all but disappeared from the northern Netherlands in the long eigh...
peer reviewedStained glass roundels, which flourished in Northern Europe in the fifteenth to sevente...
Studies of continental stained glass in England have previously focused on the iconography and origi...
As now, Belgium was home to a remarkably large number of private art and antiques collections throug...
As now, Belgium was home to a remarkably large number of private art and antiques collections throug...
Nineteenth-century Britain saw an explosion in the use of secular stained glass. The enormous impac...
As now, Belgium was home to a remarkably large number of private art and antiques collections throug...
In the furniture trade of the Netherlands in the second half of 19th and early 20th century it becam...
During the long nineteenth century Belgium was home to a remarkably large number of private art and ...
In the beginning of the nineteenth century, the Southern Netherlands saw the rise of a renewed inter...
The Mayer van den Bergh Museum in Antwerp, Belgium, contains a fine collection of stained-glass pane...
The Mayer van den Bergh Museum in Antwerp, Belgium, contains a fine collection of stained-glass pane...
The Mayer van den Bergh Museum in Antwerp, Belgium, contains a fine collection of stained-glass pane...
The Mayer van den Bergh Museum in Antwerp, Belgium, contains a fine collection of stained-glass pane...
The craft of making stained glass all but disappeared from the northern Netherlands in the long eigh...
The craft of making stained glass all but disappeared from the northern Netherlands in the long eigh...
peer reviewedStained glass roundels, which flourished in Northern Europe in the fifteenth to sevente...
Studies of continental stained glass in England have previously focused on the iconography and origi...
As now, Belgium was home to a remarkably large number of private art and antiques collections throug...
As now, Belgium was home to a remarkably large number of private art and antiques collections throug...
Nineteenth-century Britain saw an explosion in the use of secular stained glass. The enormous impac...
As now, Belgium was home to a remarkably large number of private art and antiques collections throug...
In the furniture trade of the Netherlands in the second half of 19th and early 20th century it becam...
During the long nineteenth century Belgium was home to a remarkably large number of private art and ...