Publishing house Larcier uses an emblematic figure as a company brand. Since the end of the 19th century, a goddess with helmet and sword adorns its legal publications. Often, the logo is seen as the virtue Justitia, although it clearly depicts the antique goddess Athena or Minerva. This article argues this mix-up is neither coincidental nor recent, though must be seen as a numen mixtum, a deliberate iconographic synthesis of two divinities. Combining legal periodicals and legal iconography, the authors show how Brussels’ fin-de-siècle legal professionals, led by Edmond Picard, were convinced that both art and law contributed to the Belgian nation and that the boundaries between artists and jurists were rather thin. Within this legal-artist...
This article comments a painting by Gaspar De Crayer, now in the Ghent Museum of Fine Arts, depictin...
Legal iconological analysis of a large scale printed work by Belgian artist Xavier Mellery (1845-192...
The Legitimacy and Effectiveness of Law & Governance in a World of Multilevel Jurisdiction
Publishing house Larcier uses an emblematic figure as a company brand. Since the end of the 19th cen...
This article comments the iconography of an anonymous painting of the STA’M museum of Ghent (inv.n° ...
General introduction to 'Law and Iconography'. How are 'law' and 'justice' represented in the middle...
Jan Van Cleef (1646-1716) painted a 'Chaste Susannah' for the Ghent town hall. The article deals wit...
How did top ranked painters, in the early-modern era, represent jurists? There is a 'serious' side o...
This dissertation scrutinizes public legal art in the context of nineteenth-century Belgium. More sp...
This paper scrutinizes decoration projects, both unexecuted and realized, for the two Cour de Cassat...
This article comments a painting by Gaspar De Crayer, now in the Ghent Museum of Fine Arts, depictin...
This article elaborates on some iconographical and iconological aspects of the late fifteenth centur...
Legal iconography in 'The Last Judgement' by Raphael Coxcie (Ghent Museum of Fine Arts
Iconological description and analysis of three portraits of Ghent lawyer and magistrate Hubert Parez...
Iconological context and iconography of an anonymous 16th century painting belonging to the collecti...
This article comments a painting by Gaspar De Crayer, now in the Ghent Museum of Fine Arts, depictin...
Legal iconological analysis of a large scale printed work by Belgian artist Xavier Mellery (1845-192...
The Legitimacy and Effectiveness of Law & Governance in a World of Multilevel Jurisdiction
Publishing house Larcier uses an emblematic figure as a company brand. Since the end of the 19th cen...
This article comments the iconography of an anonymous painting of the STA’M museum of Ghent (inv.n° ...
General introduction to 'Law and Iconography'. How are 'law' and 'justice' represented in the middle...
Jan Van Cleef (1646-1716) painted a 'Chaste Susannah' for the Ghent town hall. The article deals wit...
How did top ranked painters, in the early-modern era, represent jurists? There is a 'serious' side o...
This dissertation scrutinizes public legal art in the context of nineteenth-century Belgium. More sp...
This paper scrutinizes decoration projects, both unexecuted and realized, for the two Cour de Cassat...
This article comments a painting by Gaspar De Crayer, now in the Ghent Museum of Fine Arts, depictin...
This article elaborates on some iconographical and iconological aspects of the late fifteenth centur...
Legal iconography in 'The Last Judgement' by Raphael Coxcie (Ghent Museum of Fine Arts
Iconological description and analysis of three portraits of Ghent lawyer and magistrate Hubert Parez...
Iconological context and iconography of an anonymous 16th century painting belonging to the collecti...
This article comments a painting by Gaspar De Crayer, now in the Ghent Museum of Fine Arts, depictin...
Legal iconological analysis of a large scale printed work by Belgian artist Xavier Mellery (1845-192...
The Legitimacy and Effectiveness of Law & Governance in a World of Multilevel Jurisdiction