This article reproduces Al atardecer en los jardines de Arlaja by the Uruguayan composer Carlos Pedrell, preceded by a commentary. Together with Pedrell\u27s other guitar works, this piece enriches our picture of Latin American guitar repertoire in the early twentieth century. In the case of Pedrell, we have a work written by a composer who studied in Paris and who wrote for three of the major guitarists of his time—Segovia, Pujol, and Llobet
An introduction to a series of five articles by Peter Danner on the history of the guitar in the Uni...
A review of Nicoletta Confalone, Un angelo senza paradiso: La chitarra alla ricerca di Schubert (Bol...
The magnitude carried out by Felip Pedrell's (1841-1922) artistic and research work sometimes leaves...
Based on a hemerographic investigation, this article constitutes an initial look at events held by g...
This article is one of a series of five by Peter Danner on the history of the guitar in the United S...
The guitarist Charles de Marescot is a figure often cited when referring to the guitar mania that ar...
A review of four new biographical studies of Fernando Sor: Brian Jeffery, Fernando Sor: Composer a...
Suite goivos by Francisco Lacerda (1869–1934) stands out not only as one of the first examples of sy...
Suite goivos by Francisco Lacerda (1869–1934) stands out not only as one of the first examples of sy...
The article focuses on the personalized genre and style approach to the analysis of Latin American c...
"Graham Wade, in his article on Andrés Segovia for the Grove music Online, describes his impact on t...
This article has its origin in the "I UNED University Extension Course" of analysis given by Dr. Ilu...
A review of Nineteenth-Century Guitar Songs: An Idiosyncratic Survey, by Ian Gammie
This article addresses the considerations and decisions that underlie a new critical edition of Sor’...
Este articulo pretende divulgar y analizar las “Dos piezas para guitarra en el espíritu popular colo...
An introduction to a series of five articles by Peter Danner on the history of the guitar in the Uni...
A review of Nicoletta Confalone, Un angelo senza paradiso: La chitarra alla ricerca di Schubert (Bol...
The magnitude carried out by Felip Pedrell's (1841-1922) artistic and research work sometimes leaves...
Based on a hemerographic investigation, this article constitutes an initial look at events held by g...
This article is one of a series of five by Peter Danner on the history of the guitar in the United S...
The guitarist Charles de Marescot is a figure often cited when referring to the guitar mania that ar...
A review of four new biographical studies of Fernando Sor: Brian Jeffery, Fernando Sor: Composer a...
Suite goivos by Francisco Lacerda (1869–1934) stands out not only as one of the first examples of sy...
Suite goivos by Francisco Lacerda (1869–1934) stands out not only as one of the first examples of sy...
The article focuses on the personalized genre and style approach to the analysis of Latin American c...
"Graham Wade, in his article on Andrés Segovia for the Grove music Online, describes his impact on t...
This article has its origin in the "I UNED University Extension Course" of analysis given by Dr. Ilu...
A review of Nineteenth-Century Guitar Songs: An Idiosyncratic Survey, by Ian Gammie
This article addresses the considerations and decisions that underlie a new critical edition of Sor’...
Este articulo pretende divulgar y analizar las “Dos piezas para guitarra en el espíritu popular colo...
An introduction to a series of five articles by Peter Danner on the history of the guitar in the Uni...
A review of Nicoletta Confalone, Un angelo senza paradiso: La chitarra alla ricerca di Schubert (Bol...
The magnitude carried out by Felip Pedrell's (1841-1922) artistic and research work sometimes leaves...