Add to ORKG.Abstract: Warburg, Benjamin e ci\uf2 che la storia non pu\uf2 dire, Firenze 2010. \uc8 nota l\u2019affinit\ue0 elettiva provata da Benjamin per il pensiero sull\u2019indagine storico-artistica di Aby Warburg. Ho voluto in questo scritto mettere l\u2019accento sul tema della concezione della storia come discontinuit\ue0 nei due autori, e dell\u2019arte come testimonianza di una sofferenza ineliminabile dell\u2019umanit\ue0, che ne esce, nell\u2019espressione artistica, esaltata. Nell\u2019arte infatti la sofferenza comune del genere umano trova un suo momento di altezza , soprattutto nella complessa intenzionalit\ue0 e nella ragion d\u2019essere dell\u2019opera d\u2019arte
Warburg’s inquiry does not oppose Renaissance to Baroque; on the contrary the Renaissance shows here...
The rebus game - especially in the modern Italian examples featuring sometimes highly aesthetical dr...
In the “Sala dei Mesi” of Palazzo Schifanoia the months and the zodiacal constellations go from righ...
The paper intends to draw some topics about relationship between word and image in works and thinkin...
Starting from Husserl’s critique of hedonism in his 1920-24 Einführung in die Ethik, the article tri...
Arthur Danto asserts that Maya Lin’s Vietnam Veterans Memorial in Washington embodies the rhetoric p...
Il saggio traccia un confronto tra la teoria delle emozioni di Dewey e quella, più recente, di Marth...
The text, after an introduction on the arrangements conceived by Marcel Duchamp during the Thirties,...
Partendo dalla critica dell\u2019edonismo che Husserl sviluppa nelle sue lezioni di Introduzione all...
Este ensayo toma como objeto de estudio la performance “Tamudando” realizada por Luis Bravo (1957,...
The paper aims at analyzing the upshots of the kantian doctrine of space – as it is proposed inthe T...
The first Aisthesis’s Special Issue collects the contributions to the conference “Riconcepire l’este...
In the context of the late modernity, both Warburg and Benjamin put themselves on a borderline posit...
Both Walter Benjamin and Theodor W. Adorno consider ‘aesthetical experience’ as an “image experience...
Starting from Marcuse’s notion of «affirmative culture» this short essay examines the role of poetry...
Warburg’s inquiry does not oppose Renaissance to Baroque; on the contrary the Renaissance shows here...
The rebus game - especially in the modern Italian examples featuring sometimes highly aesthetical dr...
In the “Sala dei Mesi” of Palazzo Schifanoia the months and the zodiacal constellations go from righ...
The paper intends to draw some topics about relationship between word and image in works and thinkin...
Starting from Husserl’s critique of hedonism in his 1920-24 Einführung in die Ethik, the article tri...
Arthur Danto asserts that Maya Lin’s Vietnam Veterans Memorial in Washington embodies the rhetoric p...
Il saggio traccia un confronto tra la teoria delle emozioni di Dewey e quella, più recente, di Marth...
The text, after an introduction on the arrangements conceived by Marcel Duchamp during the Thirties,...
Partendo dalla critica dell\u2019edonismo che Husserl sviluppa nelle sue lezioni di Introduzione all...
Este ensayo toma como objeto de estudio la performance “Tamudando” realizada por Luis Bravo (1957,...
The paper aims at analyzing the upshots of the kantian doctrine of space – as it is proposed inthe T...
The first Aisthesis’s Special Issue collects the contributions to the conference “Riconcepire l’este...
In the context of the late modernity, both Warburg and Benjamin put themselves on a borderline posit...
Both Walter Benjamin and Theodor W. Adorno consider ‘aesthetical experience’ as an “image experience...
Starting from Marcuse’s notion of «affirmative culture» this short essay examines the role of poetry...
Warburg’s inquiry does not oppose Renaissance to Baroque; on the contrary the Renaissance shows here...
The rebus game - especially in the modern Italian examples featuring sometimes highly aesthetical dr...
In the “Sala dei Mesi” of Palazzo Schifanoia the months and the zodiacal constellations go from righ...