This book traces the development of scientific conservation and technical art history. It takes as its starting point the final years of the nineteenth century which saw the establishment of the first museum laboratory in Berlin and groundbreaking international conferences on art history and conservation held in pre-World War I Germany. It follows the history of conservation and art history until the 1940s when, from the ruins of World War II, new institutions such as the Istituto Centrale del Restauro emerged, which would shape the post-war art and conservation world. The book will be of interest to scholars working in art history, conservation history, historiography, and history of science and humanitie
Living with History focuses on a particular aspect of heritage preservation in the 20th century: des...
Collaborations and conflicts between the sciences and the humanities are central to disciplines fro...
Art historical research needs to consider the materiality of artefacts, but the character of the mat...
This book traces the development of scientific conservation and technical art history. It takes as i...
This book traces the development of scientific conservation and technical art history. It takes as i...
This book traces the development of scientific conservation and technical art history. It takes as i...
Until publication of this book, the issue of conservation of heritage sites in Prague between 1939 a...
Collaboration between science and conservation is considered standard practice in museums nowadays, ...
Collaboration between science and conservation is considered standard practice in museums nowadays, ...
The author is assistant professor in Monuments Conservation Department of the Academy of Fine Arts i...
The paper aims to compare Czech and Italian theory of conservation - restoration by laying the groun...
Reflection on the history and practice of art history has long been a major topic of research and sc...
The paper aims to compare Czech and Italian theory of conservation - restoration by laying the groun...
The advancement of scientific conservation during the post-war period, coincided with a different ph...
Where does our fascination for 'heritage' originate? This groundbreaking comparative study of preser...
Living with History focuses on a particular aspect of heritage preservation in the 20th century: des...
Collaborations and conflicts between the sciences and the humanities are central to disciplines fro...
Art historical research needs to consider the materiality of artefacts, but the character of the mat...
This book traces the development of scientific conservation and technical art history. It takes as i...
This book traces the development of scientific conservation and technical art history. It takes as i...
This book traces the development of scientific conservation and technical art history. It takes as i...
Until publication of this book, the issue of conservation of heritage sites in Prague between 1939 a...
Collaboration between science and conservation is considered standard practice in museums nowadays, ...
Collaboration between science and conservation is considered standard practice in museums nowadays, ...
The author is assistant professor in Monuments Conservation Department of the Academy of Fine Arts i...
The paper aims to compare Czech and Italian theory of conservation - restoration by laying the groun...
Reflection on the history and practice of art history has long been a major topic of research and sc...
The paper aims to compare Czech and Italian theory of conservation - restoration by laying the groun...
The advancement of scientific conservation during the post-war period, coincided with a different ph...
Where does our fascination for 'heritage' originate? This groundbreaking comparative study of preser...
Living with History focuses on a particular aspect of heritage preservation in the 20th century: des...
Collaborations and conflicts between the sciences and the humanities are central to disciplines fro...
Art historical research needs to consider the materiality of artefacts, but the character of the mat...