A project detailing that demonstrated the way British colonial forces used Scottish culture to develop textiles in various colonial territories, including India, The Caribbean and South Africa. The project included 3 major outcomes; an Exhibition, a dance performance and a documentary. The project also included community workshops and lectures
A new body of research and series of works for public exhibition, ‘Yan Tan Tethera’, sharing and bri...
Textiles and fashion related studies have been part of the educational activities at The Glasgow Sch...
An historically and critically sound - and contemporary - evaluation of tartan and tartanry based on...
A project detailing that demonstrated the way British colonial forces used Scottish culture to devel...
In August 2015 the Costume Institute of the African Diaspora (CIAD) developed their first major proj...
Tartan has colonized the world. The flexibility of its design and the traditionalism of its symbolis...
As the lead writer of the text for the British dance Black routes exhibition at the International Sl...
‘To wear a commemorative cloth is to visually communicate that one has either a relationship with th...
12-month period of archival and collection study, funded with a Paul Mellon Centre for Studies in Br...
The exhibition focused on dress practices amongst black people in Britain from the late 1940s to 200...
AfroScots is a screening programme of moving image and sound encompassing the work of Black artists,...
The story of tartan is told from the medieval love of display to the Victorian invention of exclusiv...
Black Style is a dialogue on dress and textiles associated with the African diaspora. It looks at di...
Textiles have been part of the activities at The Glasgow School of Art (GSA) since its formation in ...
It is notoriously difficult to design and attach suitable legal rights to intangible cultural herita...
A new body of research and series of works for public exhibition, ‘Yan Tan Tethera’, sharing and bri...
Textiles and fashion related studies have been part of the educational activities at The Glasgow Sch...
An historically and critically sound - and contemporary - evaluation of tartan and tartanry based on...
A project detailing that demonstrated the way British colonial forces used Scottish culture to devel...
In August 2015 the Costume Institute of the African Diaspora (CIAD) developed their first major proj...
Tartan has colonized the world. The flexibility of its design and the traditionalism of its symbolis...
As the lead writer of the text for the British dance Black routes exhibition at the International Sl...
‘To wear a commemorative cloth is to visually communicate that one has either a relationship with th...
12-month period of archival and collection study, funded with a Paul Mellon Centre for Studies in Br...
The exhibition focused on dress practices amongst black people in Britain from the late 1940s to 200...
AfroScots is a screening programme of moving image and sound encompassing the work of Black artists,...
The story of tartan is told from the medieval love of display to the Victorian invention of exclusiv...
Black Style is a dialogue on dress and textiles associated with the African diaspora. It looks at di...
Textiles have been part of the activities at The Glasgow School of Art (GSA) since its formation in ...
It is notoriously difficult to design and attach suitable legal rights to intangible cultural herita...
A new body of research and series of works for public exhibition, ‘Yan Tan Tethera’, sharing and bri...
Textiles and fashion related studies have been part of the educational activities at The Glasgow Sch...
An historically and critically sound - and contemporary - evaluation of tartan and tartanry based on...