I See Her Face presents kinetic commentary on gender, femininity, and traditional female socialization. The piece holds a deeply introspective mirror up to the audience so that they may see the power struggle between socialization and identity. It represents the choreographic process of representing personal conflict in dance, especially regarding gender representations in traditional dance and the changing gender landscape of dance. I See Her Face is a contemporary solo choreographed on dancer Molly Bagatto by Kennedy Cole. This work was premiered at The University of Akron Dance Company’s Fall 2021 dance concert. I See Her Face was subsequently selected by dance faculty to be performed at the East-Central Conference of the American Colleg...
Why do women choreographers choose to create the dances they do in the manner they do? How do women ...
© 2007 Anny MokotowThis thesis investigates the influence of hybrid theatre practices, media and tec...
As an American contemporary modern dance maker, I explore the ways in which my Mexican-American fema...
Modern dance evolves everyday with new movement ideas, styles, and teachings. Not only can modern da...
I am a mover and a dancer that finds the body to be an all-encompassing expression of language. Usua...
Femininity and Dance at the Interface of Performance: An exploration of Femininity through Performan...
The female body is one of the most heavily culturally coded signifiers both historically and in visu...
The project I am presenting is a series of improvisational dance works that I have edited together i...
Mirror Staging the Seeing Place is a choreographic project that exploits the mechanics of image cons...
Sally Bane's recent analysis, Dancing Women: Female Bodies on Stage, is an exemplary model for futur...
Delving critically into the larger (or global) artistic, social and political climate of the environ...
Edited by Jo Butterworth and Liesbeth Wildschut. Contains chapter by Susan Leigh Foster, former Coll...
Fosse style and ideas regarding gender have radicalised and politicised gender in popular dance on ...
The dancer’s perspective is crucial to developing the discourse surrounding studio based dance pract...
intERUPTion: Re-Viewing Motion, Image \u26 the Dancing Body is the written exploration of intERUPTio...
Why do women choreographers choose to create the dances they do in the manner they do? How do women ...
© 2007 Anny MokotowThis thesis investigates the influence of hybrid theatre practices, media and tec...
As an American contemporary modern dance maker, I explore the ways in which my Mexican-American fema...
Modern dance evolves everyday with new movement ideas, styles, and teachings. Not only can modern da...
I am a mover and a dancer that finds the body to be an all-encompassing expression of language. Usua...
Femininity and Dance at the Interface of Performance: An exploration of Femininity through Performan...
The female body is one of the most heavily culturally coded signifiers both historically and in visu...
The project I am presenting is a series of improvisational dance works that I have edited together i...
Mirror Staging the Seeing Place is a choreographic project that exploits the mechanics of image cons...
Sally Bane's recent analysis, Dancing Women: Female Bodies on Stage, is an exemplary model for futur...
Delving critically into the larger (or global) artistic, social and political climate of the environ...
Edited by Jo Butterworth and Liesbeth Wildschut. Contains chapter by Susan Leigh Foster, former Coll...
Fosse style and ideas regarding gender have radicalised and politicised gender in popular dance on ...
The dancer’s perspective is crucial to developing the discourse surrounding studio based dance pract...
intERUPTion: Re-Viewing Motion, Image \u26 the Dancing Body is the written exploration of intERUPTio...
Why do women choreographers choose to create the dances they do in the manner they do? How do women ...
© 2007 Anny MokotowThis thesis investigates the influence of hybrid theatre practices, media and tec...
As an American contemporary modern dance maker, I explore the ways in which my Mexican-American fema...