Add to ORKGEdited by Jo Butterworth and Liesbeth Wildschut. Contains chapter by Susan Leigh Foster, former College at Brockport dance faculty member: \u27Throwing like a girl\u27? : gender in a transnational world. This innovative text provides a range of articles covering choreographic enquiry, investigation into the creative process, and traditional understandings of dance making. It features contributions by practitioners and researchers from Europe, America, Africa, Australasia and the Asia-Pacific region, investigating the field in six broad domains: Conceptual and philosophic concerns, Educational settings, Communities, Changing aesthetics, Intercultural choreography, Choreography\u27s relationships with other disciplines. By capturing the essen...
In the ‘Western’ world, dance is generally considered a feminised activity and gender traditionally ...
I am a mover and a dancer that finds the body to be an all-encompassing expression of language. Usua...
This dissertation investigates the expansion of performative possibilities toward and through nonhum...
Edited by Susanne Franco and Marina Nordera ; in conjunction with the Centre national de la danse.In...
Why do women choreographers choose to create the dances they do in the manner they do? How do women ...
Research focused on dance and gender began to appear and gain momentum in the 1990s. This volume—whi...
British Dance studies in the second decade of the twenty-first century is at an unusual juncture. Wh...
In recent years, the practice of contemporary dancers has altered significantly in the transition fr...
Posing the question of "how dance means what it does", Foster uses post-structuralist criticism to "...
This paper undertakes a critical re-examination of the ways in which dance-making relationships betw...
Dancers, in their formal training, are deprived of many basic human experiences and are often not ex...
Oliver and Risner’s collection of ‘evidence-based’ approaches to dance and gender aims to help the ...
The development of British contemporary dance practice has been dependent upon the assimilation of c...
© 2007 Anny MokotowThis thesis investigates the influence of hybrid theatre practices, media and tec...
This paper undertakes a critical re-examination of the ways in which dance-making relationships betw...
In the ‘Western’ world, dance is generally considered a feminised activity and gender traditionally ...
I am a mover and a dancer that finds the body to be an all-encompassing expression of language. Usua...
This dissertation investigates the expansion of performative possibilities toward and through nonhum...
Edited by Susanne Franco and Marina Nordera ; in conjunction with the Centre national de la danse.In...
Why do women choreographers choose to create the dances they do in the manner they do? How do women ...
Research focused on dance and gender began to appear and gain momentum in the 1990s. This volume—whi...
British Dance studies in the second decade of the twenty-first century is at an unusual juncture. Wh...
In recent years, the practice of contemporary dancers has altered significantly in the transition fr...
Posing the question of "how dance means what it does", Foster uses post-structuralist criticism to "...
This paper undertakes a critical re-examination of the ways in which dance-making relationships betw...
Dancers, in their formal training, are deprived of many basic human experiences and are often not ex...
Oliver and Risner’s collection of ‘evidence-based’ approaches to dance and gender aims to help the ...
The development of British contemporary dance practice has been dependent upon the assimilation of c...
© 2007 Anny MokotowThis thesis investigates the influence of hybrid theatre practices, media and tec...
This paper undertakes a critical re-examination of the ways in which dance-making relationships betw...
In the ‘Western’ world, dance is generally considered a feminised activity and gender traditionally ...
I am a mover and a dancer that finds the body to be an all-encompassing expression of language. Usua...
This dissertation investigates the expansion of performative possibilities toward and through nonhum...