Many eyewitnesses mention the emergence of a new style of ceremonial dances performed at the Napoleonic court between 1802 and 1814. The deliberate mixing of the social classes during these occasio..
Originally published c. 1818, this second edition of 1822 contains an opening three-color-fold-out a...
The Journal de Nîmes from 1785 to 1789 provides echoes of the musical life of an expanding industria...
The article examines the occasional genres flourished during the French domination in Naples (1806-1...
Napoleon’s Qaudrille Events Compared Perhaps the most surprising aspect of the quadrilles organized...
The first decade-and-a-half of the nineteenth century witnessed the unusually-speedy dissemination o...
“L’empereur, voulant faire voir sa cour à la ville de Paris, permit qu’ on invitât un nombre considé...
Commercial ballrooms appear all over Great Britain in the course of the 18th century. They represent...
The Consulate and the Empire’s cultural policy for the theatres was torn between a republican herita...
During the first decade of the 19th century a remarkable pair of dances came into fashion in contine...
Cyril Triolaire, Celebrations of Napoleon after the Republic : the Legacy of Revolutionary Festivals...
Castil-Blaze (1784-1857) Paris, Chez Paulin, Libraire-Editeur, Place de la Bourse. 1832 ML3460 B63 1...
Françoise Dartois-Lapeyre : Balletic opera and the French court. Balletic opera, that most typical ...
This manual was originally published in 1864 with subsequent editions in 1865, 1866, and 1868 when t...
En mélangeant une approche d’histoire culturelle du politique et une perspective comparative, ma rec...
This third edition of Coulon's manual describes dances popular during the 1840s. Typical of many nin...
Originally published c. 1818, this second edition of 1822 contains an opening three-color-fold-out a...
The Journal de Nîmes from 1785 to 1789 provides echoes of the musical life of an expanding industria...
The article examines the occasional genres flourished during the French domination in Naples (1806-1...
Napoleon’s Qaudrille Events Compared Perhaps the most surprising aspect of the quadrilles organized...
The first decade-and-a-half of the nineteenth century witnessed the unusually-speedy dissemination o...
“L’empereur, voulant faire voir sa cour à la ville de Paris, permit qu’ on invitât un nombre considé...
Commercial ballrooms appear all over Great Britain in the course of the 18th century. They represent...
The Consulate and the Empire’s cultural policy for the theatres was torn between a republican herita...
During the first decade of the 19th century a remarkable pair of dances came into fashion in contine...
Cyril Triolaire, Celebrations of Napoleon after the Republic : the Legacy of Revolutionary Festivals...
Castil-Blaze (1784-1857) Paris, Chez Paulin, Libraire-Editeur, Place de la Bourse. 1832 ML3460 B63 1...
Françoise Dartois-Lapeyre : Balletic opera and the French court. Balletic opera, that most typical ...
This manual was originally published in 1864 with subsequent editions in 1865, 1866, and 1868 when t...
En mélangeant une approche d’histoire culturelle du politique et une perspective comparative, ma rec...
This third edition of Coulon's manual describes dances popular during the 1840s. Typical of many nin...
Originally published c. 1818, this second edition of 1822 contains an opening three-color-fold-out a...
The Journal de Nîmes from 1785 to 1789 provides echoes of the musical life of an expanding industria...
The article examines the occasional genres flourished during the French domination in Naples (1806-1...