Exploring the interior : performing situated responsibility in postcolonising Australia

Theatre is a powerful way to investigate the operation of borders due to its live, immediate focus on representation and its potential to test a society’s boundaries. This practice-led research incorporates a performance and an exegesis to ask, ‘How can site-specific theatre that investigates the performance of borders and heterotopia enhance understanding of individual responsibility in postcolonising Australia?’ I take the term postcolonising from Aileen Moreton-Robinson, who argues that the beneficiaries of settler-colonialism (such as myself) must accept responsibility for the past before attempting to address its injustices. As an artist, I am inspired by anthropologist, Deborah Bird Rose, who privileges storytelling as a way of breaking boundaries between the past and present. Michel Foucault coined the term heterotopia (other place) to denote a single real space that juxtaposes several sites that are incompatible. This evokes the contemporary Australian situation of contested sovereignty. As Joanne Tompkins argues, heterotopic theatre can enact such a space in order to raise awareness and work towards societal change. My research demonstrates this both theoretically and practically. My exegesis crosses borders to create a heterotopia by juxtaposing past, present and possible futures, stories and theoretical understandings from diverse sources. The performance created at my home, rather than in a theatre, layers family, local, Australian and international histories to highlight the continuum between the personal and political, and to question current structures of power and knowledge. I use site-specific theatre to diminish the boundaries between performer and audience, creating a visceral heterotopia that facilitates a deeper understanding of personal responsibility in the context of postcolonising Australia.Doctor of Philosoph