Often in our everyday lives, for instance, in decision-taking, empathizing with others, and engaging with fictions, we are able to imagine what a particular emotion feels like. This chapter analyzes the structure of these imaginings as a kind of experiential imagining. After introducing the topic (section 1), I argue that these imaginings cannot be explained exclusively by their content and that a focus on the mode of imagining is required. We not only imagine having emotions, but we also imagine them experientially, and this means that we imagine feeling them (section 2). I proceed to analyze the content of such imaginings in terms of the phenomenal properties of emotions undergone from a particular subjective perspective within the imagin...
How are we to understand the phenomenology of imagining? Attempts to answer this question often inv...
Works of fiction are alleged to differ from works of nonfiction in instructing their audience to ima...
This paper investigates a capacity I call actuality-oriented imagining, by which we use sensory imag...
Often in our everyday lives, for instance, in decision-taking, empathizing with others, and engaging...
This book explores the structure and function of memory and imagination, as well as the relation and...
Published 28 July 2023Our imaginings seem to be similar to our perceiving and remembering episodes i...
A view of prominence in the philosophy of emotion is that emotional experiences are not self-standin...
My dissertation concerns sensory imagining: experiences like imagining a colorful parrot, or imagini...
Imagination is very often associated with the experienceable. Imagination is said to “re-create” con...
The aim of this article is to present the disagreement between Moran and Walton on the nature of ou...
It is often held that in imagining experiences we exploit a special imagistic way of representing me...
Jérôme Dokic and Margherita Arcangeli develop a taxonomy of the mental states classified as experien...
This chapter addresses the application of contemporary theories of the imagination—largely drawn fro...
What are fictional emotions and what has phenomenology to say about them? This paper argues that the...
The aim of this article is to present the disagreement between Moran and Walton on the nature of our...
How are we to understand the phenomenology of imagining? Attempts to answer this question often inv...
Works of fiction are alleged to differ from works of nonfiction in instructing their audience to ima...
This paper investigates a capacity I call actuality-oriented imagining, by which we use sensory imag...
Often in our everyday lives, for instance, in decision-taking, empathizing with others, and engaging...
This book explores the structure and function of memory and imagination, as well as the relation and...
Published 28 July 2023Our imaginings seem to be similar to our perceiving and remembering episodes i...
A view of prominence in the philosophy of emotion is that emotional experiences are not self-standin...
My dissertation concerns sensory imagining: experiences like imagining a colorful parrot, or imagini...
Imagination is very often associated with the experienceable. Imagination is said to “re-create” con...
The aim of this article is to present the disagreement between Moran and Walton on the nature of ou...
It is often held that in imagining experiences we exploit a special imagistic way of representing me...
Jérôme Dokic and Margherita Arcangeli develop a taxonomy of the mental states classified as experien...
This chapter addresses the application of contemporary theories of the imagination—largely drawn fro...
What are fictional emotions and what has phenomenology to say about them? This paper argues that the...
The aim of this article is to present the disagreement between Moran and Walton on the nature of our...
How are we to understand the phenomenology of imagining? Attempts to answer this question often inv...
Works of fiction are alleged to differ from works of nonfiction in instructing their audience to ima...
This paper investigates a capacity I call actuality-oriented imagining, by which we use sensory imag...