Denis Glover was a self-assessed expert on typography. This article reviews Glover’s education and training as a typographer and discusses his four accessible published articles. The article then assesses his contribution to the establishment of higher standards of type selection and use in the post-WWII period, particularly for book work. The 'new' typography he and others promoted is now the established typography.Lindsay Rollo, a retired one-time technical editor, is now an independent researcher.Correspondence about this article may be directed to the author at lrollo@paradise.net.n
During the nineteenth century jobbing printers in Britain played an important role in the history of...
What do you see when you read a piece of typeface? Just letters or art? To be creative in your pract...
Edmund C. Arnold comments on the work of Frederic Goudy, America\u27s foremost type designer. Along ...
Denis Glover and ARD Fairburn each contributed three items to the long defunct trade house magazine ...
Robert William Lowry was a printer and typographer whose working life spanned the thirty-one years f...
peer-reviewedLetterpress printing, the craft once revered as the means by which a message was carrie...
From the inception of the printed word, typography has both driven and reflected the development and...
Introductory notes with a bibliography, aimed at students and professionals seeking to learn more ab...
Citation: Rodell, Earl Nathaniel. The evolution of printing. Senior thesis, Kansas State Agricultura...
Experimental Typography in Twentieth-Century Poetry, by Daniel Matore, New College, University of Ox...
Astronomers and those interested in machine computing honour Comrie for his work in these fields. Th...
An auto-biographical piece written at the request of the journal editor, Sebastian Carter. A descrip...
This essay offers some consideration of the periodical contributions published in the 1830s of the c...
William F. Wheatley was an active participant during the turbulent typesetting years. His first ye...
This latest issue of the series of Typography papers opens with a beautifully illustrated article by...
During the nineteenth century jobbing printers in Britain played an important role in the history of...
What do you see when you read a piece of typeface? Just letters or art? To be creative in your pract...
Edmund C. Arnold comments on the work of Frederic Goudy, America\u27s foremost type designer. Along ...
Denis Glover and ARD Fairburn each contributed three items to the long defunct trade house magazine ...
Robert William Lowry was a printer and typographer whose working life spanned the thirty-one years f...
peer-reviewedLetterpress printing, the craft once revered as the means by which a message was carrie...
From the inception of the printed word, typography has both driven and reflected the development and...
Introductory notes with a bibliography, aimed at students and professionals seeking to learn more ab...
Citation: Rodell, Earl Nathaniel. The evolution of printing. Senior thesis, Kansas State Agricultura...
Experimental Typography in Twentieth-Century Poetry, by Daniel Matore, New College, University of Ox...
Astronomers and those interested in machine computing honour Comrie for his work in these fields. Th...
An auto-biographical piece written at the request of the journal editor, Sebastian Carter. A descrip...
This essay offers some consideration of the periodical contributions published in the 1830s of the c...
William F. Wheatley was an active participant during the turbulent typesetting years. His first ye...
This latest issue of the series of Typography papers opens with a beautifully illustrated article by...
During the nineteenth century jobbing printers in Britain played an important role in the history of...
What do you see when you read a piece of typeface? Just letters or art? To be creative in your pract...
Edmund C. Arnold comments on the work of Frederic Goudy, America\u27s foremost type designer. Along ...