This chapter explores contemporary alternative comedy as a response to crisis. The early-to-mid 2000s saw the beginnings of a comedy boom in which the once-marginal Alternative Comedy form rose to enjoy unprecedented popularity and commercial clout. Yet alongside this period of success, alternatives have emerged which identify crises within that very genre. We discuss two sets of new alternative practices. One opposes a perceived homogeneity of form among the commercial mainstream, and is characterised in part by an enhanced interest in metareferential examination of, and experimentation with, the conventions and properties of live comedy by comedians such as Josie Long, Stewart Lee and Tony Law. The other battles a crisis of representat...
Building on recent work on the political and everyday nature of comedy, this paper seeks to situate ...
This book examines the interconnections between punk and alternative comedy (altcom). It explores ho...
This dissertation offers an application of field theory to humour studies and Canadian cultural indu...
This chapter explores contemporary alternative comedy as a response to crisis. The early-to-mid 2000...
This Palgrave Pivot questions how a new generation of alternative stand-up comedians and the politic...
This chapter challenges narratives that have grown up around alternative comedy in the 40+ years of ...
The term Alternative Comedy refers to a circuit of comedy clubs that emerged in London in 1979 and g...
This thesis draws on an originally scripted TV drama series, ‘Open Mike’, which was written to exp...
Alternative Comedy Now and Then: Critical Perspectives is the first academic collection focusing on ...
This chapter takes the form of a timeline that charts the development of alternative comedy from its...
Punk's place within pop-cultural history is assured, yet in the claims made for its 'serious' and re...
This thesis interprets the craft of stand-up comedy as a senes of manipulations. In a medium where i...
Comedy and Critique explores British professional stand-up comedy in the wake of the Alternative Com...
There have been many articles but too few rigorous critiques detailing the naissance and flowering o...
This thesis examines the ways in which laughter is entangled with cultural valuation processes in li...
Building on recent work on the political and everyday nature of comedy, this paper seeks to situate ...
This book examines the interconnections between punk and alternative comedy (altcom). It explores ho...
This dissertation offers an application of field theory to humour studies and Canadian cultural indu...
This chapter explores contemporary alternative comedy as a response to crisis. The early-to-mid 2000...
This Palgrave Pivot questions how a new generation of alternative stand-up comedians and the politic...
This chapter challenges narratives that have grown up around alternative comedy in the 40+ years of ...
The term Alternative Comedy refers to a circuit of comedy clubs that emerged in London in 1979 and g...
This thesis draws on an originally scripted TV drama series, ‘Open Mike’, which was written to exp...
Alternative Comedy Now and Then: Critical Perspectives is the first academic collection focusing on ...
This chapter takes the form of a timeline that charts the development of alternative comedy from its...
Punk's place within pop-cultural history is assured, yet in the claims made for its 'serious' and re...
This thesis interprets the craft of stand-up comedy as a senes of manipulations. In a medium where i...
Comedy and Critique explores British professional stand-up comedy in the wake of the Alternative Com...
There have been many articles but too few rigorous critiques detailing the naissance and flowering o...
This thesis examines the ways in which laughter is entangled with cultural valuation processes in li...
Building on recent work on the political and everyday nature of comedy, this paper seeks to situate ...
This book examines the interconnections between punk and alternative comedy (altcom). It explores ho...
This dissertation offers an application of field theory to humour studies and Canadian cultural indu...