One of the major post-war events in contemporary art music, the world premiere of "Der Tanz um das goldene Kalb" from Arnold Schönberg’s unfinished opera "Moses und Aron" took place in Darmstadt on July 2, 1951, during the Internationale Ferienkurse für Neue Musik. The article reconstructs the planning of this premiere through the correspondence of the composer and the organisers (notably the conductor Hermann Scherchen and the director of the Darmstadt Summer Courses, Wolfgang Steinecke), and re-discusses its historical significance, confronting the performance and its reception with Schönberg’s poetics and aesthetic goals
Mauricio Kagel (1931–2008) received his musical training in Argentina and moved to Germany in 1957, ...
Der Beitrag nimmt seinen Ausgangspunkt bei der Analyse eines Papiers der Konrad Adenauer-Stiftung, d...
Die Angst vor der Zerstörung ist in der Oper so weit verbreitet wie in kaum einem anderen Bereich de...
One of the major post-war events in contemporary art music, the world premiere of "Der Tanz um das g...
The article aims at showing how complex can be the relationship between literary prototype and opera...
The article briefly comments the obituaries of Arnold Schönberg published in Italian newspapers and ...
<span>The article aims at showing how complex can be the relationship between literary prototype and...
The article aims at showing how complex can be the relationship between literary prototype and oper...
This article aims to a re-evaluation of Arnold Schoenberg's Harmonielehre, tracing its sources and i...
This article aims to a re-evaluation of Arnold Schoenberg's Harmonielehre, tracing its sources and i...
This article aims to a re-evaluation of Arnold Schoenberg's Harmonielehre, tracing its sources and i...
The article aims at showing how complex can be the relationship between literary prototype and oper...
This article aims to a re-evaluation of Arnold Schoenberg's Harmonielehre, tracing its sources and i...
First performed on 24 February 1847 at the Dresden Court Opera, Wagner’s reworked version of Gluck’s...
Negli anni in cui s'impone come direttore d'orchestra e compositore il giovane Richard Strauss entra...
Mauricio Kagel (1931–2008) received his musical training in Argentina and moved to Germany in 1957, ...
Der Beitrag nimmt seinen Ausgangspunkt bei der Analyse eines Papiers der Konrad Adenauer-Stiftung, d...
Die Angst vor der Zerstörung ist in der Oper so weit verbreitet wie in kaum einem anderen Bereich de...
One of the major post-war events in contemporary art music, the world premiere of "Der Tanz um das g...
The article aims at showing how complex can be the relationship between literary prototype and opera...
The article briefly comments the obituaries of Arnold Schönberg published in Italian newspapers and ...
<span>The article aims at showing how complex can be the relationship between literary prototype and...
The article aims at showing how complex can be the relationship between literary prototype and oper...
This article aims to a re-evaluation of Arnold Schoenberg's Harmonielehre, tracing its sources and i...
This article aims to a re-evaluation of Arnold Schoenberg's Harmonielehre, tracing its sources and i...
This article aims to a re-evaluation of Arnold Schoenberg's Harmonielehre, tracing its sources and i...
The article aims at showing how complex can be the relationship between literary prototype and oper...
This article aims to a re-evaluation of Arnold Schoenberg's Harmonielehre, tracing its sources and i...
First performed on 24 February 1847 at the Dresden Court Opera, Wagner’s reworked version of Gluck’s...
Negli anni in cui s'impone come direttore d'orchestra e compositore il giovane Richard Strauss entra...
Mauricio Kagel (1931–2008) received his musical training in Argentina and moved to Germany in 1957, ...
Der Beitrag nimmt seinen Ausgangspunkt bei der Analyse eines Papiers der Konrad Adenauer-Stiftung, d...
Die Angst vor der Zerstörung ist in der Oper so weit verbreitet wie in kaum einem anderen Bereich de...