A statistical approach to violin evaluation

Comparing violins requires competence and involves both subjective and objective evaluations. In this manuscript, vibration tests were performed on a set of 25 violins, both historical and new. The resulting bridge admittances were modeled in the low and mid-frequency ranges through a set of objective features. Once projected into the new representation, the bridge admittances of three historical violins made by Stradivari and a famous reproduction revealed high similarity. PCA highlighted the importance of signature mode frequencies, bridge hill behavior, and signature mode amplitudes in distinguishing different violins