This analysis presents Gyula Molnár’s notes published under the title Objekttheater, in addition to his trilogy Little Suicides, and attempts to enumerate the theatrical possibilities of playing with objects through Molnár’s perspective as a performer. It seeks to answer the question – what sort of freedom is created, and what form of freedom is practiced by the puppet artist, when they make the objects they use mobile
We do not necessarily come to the same result if we study dramatic texts within the framework of lit...
Tanulmányomban Harag György Anna Frank naplója című 1958-as előadását rekonstruálom, melyet Harag az...
A tanulmány feltárja és összehasonlítja a két eredeti színházi alkotó Nagy József és Romeo Castelluc...
This paper is part of a study that attempts to explore the functioning of radio plays’ dramaturgy th...
Rural theatres were given the task of touring productions in their neighborhood after the nationaliz...
In Hungary, the amateur theatre movement is acknowledged to have had a significant tradition within ...
Against the Dragons (Fehérlófia and His Friends) presented in 1992 by the Kerekasztal Színházi Nevel...
The methods associated with devised theatre and collective creation have begun to gain traction in t...
The Budapest 9th District Council set up a House of Culture in 1962, at Ráday street 5, in the porti...
A debreceni Csokonai Színház Kimondhatatlan című részvételi színházi előadásnak vizsgálatán keresztü...
Besides the work done by the actor and the technical elements of nō performance, the connection betw...
The description of puppet performances is one of the central questions of Hungarian puppetry aesthet...
This paper introduces the children’s theatre created in 1978 on the Microscope Stage under Péter Lev...
The Bayerische Staatsoper presented Kušej’s interpretation of Macbeth in 2008, a piece of oneiric vi...
Jewish Drama, Theatre and Identity, published in 2019, is an expanded and revised version of the hab...
We do not necessarily come to the same result if we study dramatic texts within the framework of lit...
Tanulmányomban Harag György Anna Frank naplója című 1958-as előadását rekonstruálom, melyet Harag az...
A tanulmány feltárja és összehasonlítja a két eredeti színházi alkotó Nagy József és Romeo Castelluc...
This paper is part of a study that attempts to explore the functioning of radio plays’ dramaturgy th...
Rural theatres were given the task of touring productions in their neighborhood after the nationaliz...
In Hungary, the amateur theatre movement is acknowledged to have had a significant tradition within ...
Against the Dragons (Fehérlófia and His Friends) presented in 1992 by the Kerekasztal Színházi Nevel...
The methods associated with devised theatre and collective creation have begun to gain traction in t...
The Budapest 9th District Council set up a House of Culture in 1962, at Ráday street 5, in the porti...
A debreceni Csokonai Színház Kimondhatatlan című részvételi színházi előadásnak vizsgálatán keresztü...
Besides the work done by the actor and the technical elements of nō performance, the connection betw...
The description of puppet performances is one of the central questions of Hungarian puppetry aesthet...
This paper introduces the children’s theatre created in 1978 on the Microscope Stage under Péter Lev...
The Bayerische Staatsoper presented Kušej’s interpretation of Macbeth in 2008, a piece of oneiric vi...
Jewish Drama, Theatre and Identity, published in 2019, is an expanded and revised version of the hab...
We do not necessarily come to the same result if we study dramatic texts within the framework of lit...
Tanulmányomban Harag György Anna Frank naplója című 1958-as előadását rekonstruálom, melyet Harag az...
A tanulmány feltárja és összehasonlítja a két eredeti színházi alkotó Nagy József és Romeo Castelluc...