This paper explores a recording project that led to CDs documenting Rotuman musical performances and music practice in Suva, Fiji. The project was a collaboration between the Rotuman diasporic community, the Oceanic Centre for the Arts and Culture at the University of the South Pacific and a music based researcher from Australia. It uses description, analysis and ethnography to explore the role of digital technologies; the role and evolution of music in diasporic communities in Australia and Fiji; the benefits and challenges of collaborative transnational musical research projects; and the role of music researchers as music producers
Over the last decade, ethnomusicologists have increasingly become preoccupied with the repatriation ...
Music has always been an indispensable art in human existence. Music making is not simply an exercis...
This ethnomusicology-based study investigates the influence of audio engineers on the development of...
The music of Fiji flows throughout the country as rich as the food and as omnipresent as the kava. M...
The relationships between Indigenous peoples, recording technology and techniques, the recording ind...
International audienceVanuatu archipelago, in Melanesia, is noteworthy for its linguistic and cultur...
This paper examines a Fijian popular music genre known as sere ni cumu (‘bumping songs’). My researc...
This article provides an account of the response to the modern postcolonial prerogative in intercult...
In Austronesia—the region that stretches from Madagascar in the west to Easter Island in the east—mu...
This paper explores how the inhabitants of Taveuni, Fiji’s third largest island, use the music genre...
This article examines the National Recording Project for Indigenous Performance in Australia as a de...
© 2013 Dr. Nicholas ThiebergerHundreds of hours of ethnographic field recordings and their associate...
Research background: Echoes-World Music in Queensland is a full-length album produced in collaborati...
Music is a social phenomenon, which allows the possibility of indefinite re-creations. In many cultu...
Cultural boundaries are no longer geographically dictated. This intercultural music making initiativ...
Over the last decade, ethnomusicologists have increasingly become preoccupied with the repatriation ...
Music has always been an indispensable art in human existence. Music making is not simply an exercis...
This ethnomusicology-based study investigates the influence of audio engineers on the development of...
The music of Fiji flows throughout the country as rich as the food and as omnipresent as the kava. M...
The relationships between Indigenous peoples, recording technology and techniques, the recording ind...
International audienceVanuatu archipelago, in Melanesia, is noteworthy for its linguistic and cultur...
This paper examines a Fijian popular music genre known as sere ni cumu (‘bumping songs’). My researc...
This article provides an account of the response to the modern postcolonial prerogative in intercult...
In Austronesia—the region that stretches from Madagascar in the west to Easter Island in the east—mu...
This paper explores how the inhabitants of Taveuni, Fiji’s third largest island, use the music genre...
This article examines the National Recording Project for Indigenous Performance in Australia as a de...
© 2013 Dr. Nicholas ThiebergerHundreds of hours of ethnographic field recordings and their associate...
Research background: Echoes-World Music in Queensland is a full-length album produced in collaborati...
Music is a social phenomenon, which allows the possibility of indefinite re-creations. In many cultu...
Cultural boundaries are no longer geographically dictated. This intercultural music making initiativ...
Over the last decade, ethnomusicologists have increasingly become preoccupied with the repatriation ...
Music has always been an indispensable art in human existence. Music making is not simply an exercis...
This ethnomusicology-based study investigates the influence of audio engineers on the development of...