Science fiction cinema in Australia has historically been under-represented in both scholarship and production. One reason for this is that Australian films containing science fiction elements are hybrids, straddling the boundaries between other genres and nations. Nevertheless, the last decade has seen the emergence of a consistent body of science fiction works in Australia. This chapter surveys the aesthetic and production trends of these films that in part result from new technologies disrupting established screen production and distribution models. The chapter argues that three tendencies in particular demonstrate an emerging interest in developing the genre locally, mapping these tendencies to the three ‘fascinations’ J.P. Telotte cons...