It wouldn’t be wrong to say that, the most important stand of the Critical Education Theory’s position against neoliberalism is identity construction. And the mass of people whose identity needs to built are goverments’ passive, loyal citizens and neoliberalism’s consumers at the same time. Today, the necessity of struggle which is owned by people politized and get the vital will intheir own hands is absolutely noticed. Certainly, the most effective role is on the shoulders of critical and changer education understanding in this crucial struggle. Critical education understanding is the required alternative to this oppressive situation. It is clear that, art education in higher education has a technocrat character which is totally leaned ove...
In his 2009 book Art School (Propositions for the 21st Century) Steven Henry Madoff affirmed his bel...
CREATIVITY: what might/his mean for art and art educators in the creative economies of globalisation...
In this article, the changes of the principles of teaching art in the 20th century are discussed. Th...
In recent years, the education of the artist has become one of the most intractable problems being d...
This paper will explore the impact professional practice in art school could have on the critical an...
‘Academic identity’ is a key issue for debates about the professionalisation of university teaching ...
Artists face particular challenges when forming a professional identity. This is due to the fact tha...
Artists face particular challenges when forming a professional identity. This is due to the fact tha...
Arts education still strives to claim its specificity and equal relevance comparing to other kinds o...
[EN] What knowledge? and what learning?: higher education as a space for the production and the tran...
'Professional Practice' is an increasingly significant component of university curricula in the UK. ...
In most countries art education is not immune from a large-scale reorganisation. Educational institu...
In most countries art education is not immune from a large-scale reorganisation. Educational institu...
In most countries art education is not immune from a large-scale reorganisation. Educational institu...
Education as a liberating and democratic process remains an aim and belief in discourses within the ...
In his 2009 book Art School (Propositions for the 21st Century) Steven Henry Madoff affirmed his bel...
CREATIVITY: what might/his mean for art and art educators in the creative economies of globalisation...
In this article, the changes of the principles of teaching art in the 20th century are discussed. Th...
In recent years, the education of the artist has become one of the most intractable problems being d...
This paper will explore the impact professional practice in art school could have on the critical an...
‘Academic identity’ is a key issue for debates about the professionalisation of university teaching ...
Artists face particular challenges when forming a professional identity. This is due to the fact tha...
Artists face particular challenges when forming a professional identity. This is due to the fact tha...
Arts education still strives to claim its specificity and equal relevance comparing to other kinds o...
[EN] What knowledge? and what learning?: higher education as a space for the production and the tran...
'Professional Practice' is an increasingly significant component of university curricula in the UK. ...
In most countries art education is not immune from a large-scale reorganisation. Educational institu...
In most countries art education is not immune from a large-scale reorganisation. Educational institu...
In most countries art education is not immune from a large-scale reorganisation. Educational institu...
Education as a liberating and democratic process remains an aim and belief in discourses within the ...
In his 2009 book Art School (Propositions for the 21st Century) Steven Henry Madoff affirmed his bel...
CREATIVITY: what might/his mean for art and art educators in the creative economies of globalisation...
In this article, the changes of the principles of teaching art in the 20th century are discussed. Th...