In the German speaking world, questions concerning the voice or speaker of lyrical poems are often oversimplified through recourse to the disputed concept of “the lyrical I.” This volume addresses questions surrounding the expressive agent in lyric poems and thus contributes to the controversial debate about adequate forms for conceptualizing lyric poetry at the intersection between philological traditions and practices specific to lyric poetry
The editorial introduces POEMA as a yearbook dedicated to the systematic and comparative study of ly...
The following contribution seeks to understand poetry as a genre situated between written text and p...
From the point of view of a philosophy of literature the position of lyric poetry is specific. While...
In the German speaking world, questions concerning the voice or speaker of lyrical poems are often o...
In the German speaking world, questions concerning the voice or speaker of lyrical poems are often o...
This essay proposes a theory of the lyrical poem which differs decisively from the traditional defin...
This text examines various positions and opinions on the question of the relationship between lyric ...
The lyre, the musical instrument which is called by the disgusting "leier" in German, has long since...
Die beiden Autor*innen denken zusammen, was in der Literaturwissenschaft meist getrennt voneinander ...
Die sprachlichen Auffälligkeiten, die in Gedichten zu beobachten sind, haben immer wieder Anlass zu ...
Refusing an opposition between lyric subjectivity on the one hand and, on the other, a language-base...
GOETHES LYRIK IN WEISEN DEUTSCHER TONSETZER BIS ZUR GEGENWART : EINE STILKRITISCHE STUDIE / VON HUGO...
Der Band Lyrik und Narratologie entstand zwischen 2001 und 2004 an der Universität Hamburg im Rahmen...
Evaluation in lyrical poetry is mostly uncharted territory, although subgenres such as panegyric or ...
POEMA is a yearbook dedicated to the systematic and comparative study of lyric poetry and poems. It ...
The editorial introduces POEMA as a yearbook dedicated to the systematic and comparative study of ly...
The following contribution seeks to understand poetry as a genre situated between written text and p...
From the point of view of a philosophy of literature the position of lyric poetry is specific. While...
In the German speaking world, questions concerning the voice or speaker of lyrical poems are often o...
In the German speaking world, questions concerning the voice or speaker of lyrical poems are often o...
This essay proposes a theory of the lyrical poem which differs decisively from the traditional defin...
This text examines various positions and opinions on the question of the relationship between lyric ...
The lyre, the musical instrument which is called by the disgusting "leier" in German, has long since...
Die beiden Autor*innen denken zusammen, was in der Literaturwissenschaft meist getrennt voneinander ...
Die sprachlichen Auffälligkeiten, die in Gedichten zu beobachten sind, haben immer wieder Anlass zu ...
Refusing an opposition between lyric subjectivity on the one hand and, on the other, a language-base...
GOETHES LYRIK IN WEISEN DEUTSCHER TONSETZER BIS ZUR GEGENWART : EINE STILKRITISCHE STUDIE / VON HUGO...
Der Band Lyrik und Narratologie entstand zwischen 2001 und 2004 an der Universität Hamburg im Rahmen...
Evaluation in lyrical poetry is mostly uncharted territory, although subgenres such as panegyric or ...
POEMA is a yearbook dedicated to the systematic and comparative study of lyric poetry and poems. It ...
The editorial introduces POEMA as a yearbook dedicated to the systematic and comparative study of ly...
The following contribution seeks to understand poetry as a genre situated between written text and p...
From the point of view of a philosophy of literature the position of lyric poetry is specific. While...