Book review of An Incomplete Archive of Activist Art: The Shelley & Donald Rubin Foundation edited by Anjuli Nanda Diamond. Hirmer, May 2022. 228 p. ill. ISBN 978-3-7774-3756-9 (h/c), $50.00. 2 vols. Reviewed September 2022 by Avi N Woontner, Public and Technical Services Librarian, Institute of American Indian Arts, avi.woontner@iaia.edu
Review of Terrible Beauty: Elephant, Human, Ivory edited by Stiftung Humboldt Forum Im Berliner Schl...
Book review of Artist as Author: Action and Intent in Late-Modernist American Painting by Christa No...
The Social Movement Archive, written by Jen Hoyer and Nora Almeida, utilizes fifteen interviews--as ...
“Dear Sir: The undersigned painters reject the monster national exhibition to be held at the Metropo...
The Social Life of Artistic Property, a collaborative project between five authors, explores creatin...
Review of Nonconformers: A New History of Self-Taught Artists by Lisa Slominski. Yale University Pre...
In Re-collection, Richard Rinehart and Jon Ippolito argue that the vulnerability of new media art il...
Book review of We Haven’t Seen Each Other For So Long: Art of the Lost Generation. The Böhme Collect...
Review of Robert Heinecken and the Art of Appropriation by Matthew Biro. University of Minnesota Pre...
Three of these books chronicle visual collections celebrating the nomination, candidacy, and electio...
In Adjusted Margin: Xerography, Art and Activism in the Late Twentieth Century, Kate Eichhorn tells ...
Book review of Object Lessons: Case Studies in Minimal Art. The Guggenheim Panza Collection Initiati...
A review of Aesthetics of the Commons edited by Cornelia Sollfrank, Felix Stalder, and Shusha Nieder...
Book review of Bound by Creativity: How Contemporary Art Is Created and Judged by Hannah Wohl. The U...
Review of Baughman, James L., Ratner-Rosenhagen, Jennifer and Danky, James P., eds. Protest on th...
Review of Terrible Beauty: Elephant, Human, Ivory edited by Stiftung Humboldt Forum Im Berliner Schl...
Book review of Artist as Author: Action and Intent in Late-Modernist American Painting by Christa No...
The Social Movement Archive, written by Jen Hoyer and Nora Almeida, utilizes fifteen interviews--as ...
“Dear Sir: The undersigned painters reject the monster national exhibition to be held at the Metropo...
The Social Life of Artistic Property, a collaborative project between five authors, explores creatin...
Review of Nonconformers: A New History of Self-Taught Artists by Lisa Slominski. Yale University Pre...
In Re-collection, Richard Rinehart and Jon Ippolito argue that the vulnerability of new media art il...
Book review of We Haven’t Seen Each Other For So Long: Art of the Lost Generation. The Böhme Collect...
Review of Robert Heinecken and the Art of Appropriation by Matthew Biro. University of Minnesota Pre...
Three of these books chronicle visual collections celebrating the nomination, candidacy, and electio...
In Adjusted Margin: Xerography, Art and Activism in the Late Twentieth Century, Kate Eichhorn tells ...
Book review of Object Lessons: Case Studies in Minimal Art. The Guggenheim Panza Collection Initiati...
A review of Aesthetics of the Commons edited by Cornelia Sollfrank, Felix Stalder, and Shusha Nieder...
Book review of Bound by Creativity: How Contemporary Art Is Created and Judged by Hannah Wohl. The U...
Review of Baughman, James L., Ratner-Rosenhagen, Jennifer and Danky, James P., eds. Protest on th...
Review of Terrible Beauty: Elephant, Human, Ivory edited by Stiftung Humboldt Forum Im Berliner Schl...
Book review of Artist as Author: Action and Intent in Late-Modernist American Painting by Christa No...
The Social Movement Archive, written by Jen Hoyer and Nora Almeida, utilizes fifteen interviews--as ...
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