A review of Aesthetics of the Commons edited by Cornelia Sollfrank, Felix Stalder, and Shusha Niederberger published in the September 2021 issue of ARLIS/NA Reviews (https://reviews.arlisna.hcommons.org)
The author reviews the book Sites of Exposure: Art, Politics, and the Nature of Experience
Book review of Objects in Air: Artworks and Their Outside around 1900 by Margareta Ingrid Christian....
Book review of How Photography Became Contemporary Art: Inside an Artistic Revolution from Pop to th...
Two of the editors of the volume Aesthetics of the Commons (Diaphanes 2021) Cornelia Sollfrank and F...
Two of the editors of the volume Aesthetics of the Commons (Diaphanes 2021) Cornelia Sollfrank and F...
What do a feminist server, an art space located in a public park in North London, a 'pirate' library...
The Social Life of Artistic Property, a collaborative project between five authors, explores creatin...
Book review of Bound by Creativity: How Contemporary Art Is Created and Judged by Hannah Wohl. The U...
Book review of An Incomplete Archive of Activist Art: The Shelley & Donald Rubin Foundation edited b...
Book review of Modern Art & the Remaking of Human Disposition by Emmelyn Butterfield-Rosen. Universi...
Database Aesthetics: Art in the Age of Information Overflow, Edited by Victoria Vesna, Minneapolis: ...
Estovers is a practice-based research project on the concept of the commons in contemporary art. It ...
This has been a very difficult review to write. In part, the difficulty stems fromthe books under re...
Book review of We Haven’t Seen Each Other For So Long: Art of the Lost Generation. The Böhme Collect...
Review of Terrible Beauty: Elephant, Human, Ivory edited by Stiftung Humboldt Forum Im Berliner Schl...
The author reviews the book Sites of Exposure: Art, Politics, and the Nature of Experience
Book review of Objects in Air: Artworks and Their Outside around 1900 by Margareta Ingrid Christian....
Book review of How Photography Became Contemporary Art: Inside an Artistic Revolution from Pop to th...
Two of the editors of the volume Aesthetics of the Commons (Diaphanes 2021) Cornelia Sollfrank and F...
Two of the editors of the volume Aesthetics of the Commons (Diaphanes 2021) Cornelia Sollfrank and F...
What do a feminist server, an art space located in a public park in North London, a 'pirate' library...
The Social Life of Artistic Property, a collaborative project between five authors, explores creatin...
Book review of Bound by Creativity: How Contemporary Art Is Created and Judged by Hannah Wohl. The U...
Book review of An Incomplete Archive of Activist Art: The Shelley & Donald Rubin Foundation edited b...
Book review of Modern Art & the Remaking of Human Disposition by Emmelyn Butterfield-Rosen. Universi...
Database Aesthetics: Art in the Age of Information Overflow, Edited by Victoria Vesna, Minneapolis: ...
Estovers is a practice-based research project on the concept of the commons in contemporary art. It ...
This has been a very difficult review to write. In part, the difficulty stems fromthe books under re...
Book review of We Haven’t Seen Each Other For So Long: Art of the Lost Generation. The Böhme Collect...
Review of Terrible Beauty: Elephant, Human, Ivory edited by Stiftung Humboldt Forum Im Berliner Schl...
The author reviews the book Sites of Exposure: Art, Politics, and the Nature of Experience
Book review of Objects in Air: Artworks and Their Outside around 1900 by Margareta Ingrid Christian....
Book review of How Photography Became Contemporary Art: Inside an Artistic Revolution from Pop to th...