The digitisation of analogue film and the archiving of the digitised material is a complex task and requires not only technical decisions but also a discussion on how to make the resulting digitised material accessible. This contribution will start by outlining the concept of preservation for film and then present the current state of longterm preservation of audio-visual media. Furthermore, the article will talk about the digitisation of analogue films, focusing on the technical differences between digitisation for preservation on the one hand and access on the other
AV Digitisation between two Stools – a Progress Report on Digital Preservation in Higher Education (...
Historischen Tonaufnahmen machen bislang einen eher marginalen Anteil in Digitalisierungsprojekten a...
This paper addresses the lack of published work on the preservation of digital materials within Euro...
While "Digitization is not Digital Preservation", the two processes are often closely connected. Thi...
Public authorities throughout the world are generating more and moreelectronic documents as original...
The transition from photochemical to digital has without doubt profoundly affected filmmaking and fi...
Der 74-Seiten-Report “The Digital Dilemma: Strategic Issues in Archiving and Accessing Digital Motio...
Diplomová práce se věnuje tématu archivace filmového materiálu, jeho digitální restauraci a možnosti...
Archive als Speicher der Geschichte des Menschen bewahren natürlich auch Quellen, welche nicht der k...
"Alle reden vom Filmerbe, diskutieren ideale Archivbedingungen und das Für und Wider von digitalem u...
The microfilm as a medium for long term preservation is still alive. Especially in archives the micr...
The Bridge From Analogue To Digital: Challenges and tendencies for the digitization of sound archive
Audiovisuelle Medien wie Film, Fernseh- und Radioprogramme, vor allem etwa Nachrichtensendungen, kön...
Audiovisuelle Medien nehmen in Archiven – mit Ausnahme der einschlägigen Facharchive – eine Sonderst...
The use of digital technologies in filmmaking constantly increases. With this trend the question ari...
AV Digitisation between two Stools – a Progress Report on Digital Preservation in Higher Education (...
Historischen Tonaufnahmen machen bislang einen eher marginalen Anteil in Digitalisierungsprojekten a...
This paper addresses the lack of published work on the preservation of digital materials within Euro...
While "Digitization is not Digital Preservation", the two processes are often closely connected. Thi...
Public authorities throughout the world are generating more and moreelectronic documents as original...
The transition from photochemical to digital has without doubt profoundly affected filmmaking and fi...
Der 74-Seiten-Report “The Digital Dilemma: Strategic Issues in Archiving and Accessing Digital Motio...
Diplomová práce se věnuje tématu archivace filmového materiálu, jeho digitální restauraci a možnosti...
Archive als Speicher der Geschichte des Menschen bewahren natürlich auch Quellen, welche nicht der k...
"Alle reden vom Filmerbe, diskutieren ideale Archivbedingungen und das Für und Wider von digitalem u...
The microfilm as a medium for long term preservation is still alive. Especially in archives the micr...
The Bridge From Analogue To Digital: Challenges and tendencies for the digitization of sound archive
Audiovisuelle Medien wie Film, Fernseh- und Radioprogramme, vor allem etwa Nachrichtensendungen, kön...
Audiovisuelle Medien nehmen in Archiven – mit Ausnahme der einschlägigen Facharchive – eine Sonderst...
The use of digital technologies in filmmaking constantly increases. With this trend the question ari...
AV Digitisation between two Stools – a Progress Report on Digital Preservation in Higher Education (...
Historischen Tonaufnahmen machen bislang einen eher marginalen Anteil in Digitalisierungsprojekten a...
This paper addresses the lack of published work on the preservation of digital materials within Euro...