In the architectural practice, the correct ideas - being property of all - are naturally assimilated and its validation is guaranteed by the evidence of the facts in the building. This way, the good ideas result in good practice, decoding a “modus faciendi” inherent to the discipline of architecture, where the passage of time does lead to its own tradition. But when the craving of innovative and different ideas, absurd ideas arise, what legitimacy has the architect to persuade the client, or even being persuaded by the client, to effective them? What methodological tools are available to measure and avoid incongruous and even counterproductive actions and effects for the sake of good architecture? When Aires Mateus Architects chose a sandb...