Jazz bands exemplify the creative economy of teams engaged in flexible and precarious work. Theory is conflicted concerning how leadership of such audience-facing organizations affects outcomes. For the 346 New York City jazz bands active in 2010, we explored how formal and network leadership related to music creativity and popularity; as well as to band longevity through the year 2021. Formal leadership may direct band members toward joint creative outcomes. Or such leadership may harm the free-flowing energy that fuels creative performance. Network leaders engage in brokering connections across the network of jazz musicians; or building status through connections to central people. The network in this case consisted of ties between people...
The improvisation metaphor has been useful in helping us view organizations as collaborative, co-cre...
One of the principal ways in which musical improvisation has impacted upon corporations, businesses,...
By reconstructing the social networks among Jazz musicians, from 1930 to 1969, I obtain a topography...
Jazz bands exemplify the creative economy of teams engaged in flexible and precarious work. Theory i...
The aim of this study is to present and analyse the experienced phenomenon of professional jazz musi...
A Work Project, presented as part of the requirements for the Award of a Masters Degree in Managemen...
Leadership, creativity, and innovation are becoming increasingly important to the sustainability of ...
Institutional change entails balancing multiple competing, inconsistent and often loosely coupled de...
Popular musicians are embedded in dynamic networks supporting their expertise development across dif...
Viable and productive social networks in organizations result in many positive outcomes for organiza...
In this paper we argue that leaders positively influence team performance through their positions in...
This paper builds on the analysis of factors observed at jazz jam sessions facilitating team creativ...
While numerous models examine the linkages between improvisation and innovation, the factors that mo...
One of the principal ways in which musical improvisation has impacted upon corporations, businesses,...
Connections between athletes and musicians have been drawn recently by scholars, sports psychologist...
The improvisation metaphor has been useful in helping us view organizations as collaborative, co-cre...
One of the principal ways in which musical improvisation has impacted upon corporations, businesses,...
By reconstructing the social networks among Jazz musicians, from 1930 to 1969, I obtain a topography...
Jazz bands exemplify the creative economy of teams engaged in flexible and precarious work. Theory i...
The aim of this study is to present and analyse the experienced phenomenon of professional jazz musi...
A Work Project, presented as part of the requirements for the Award of a Masters Degree in Managemen...
Leadership, creativity, and innovation are becoming increasingly important to the sustainability of ...
Institutional change entails balancing multiple competing, inconsistent and often loosely coupled de...
Popular musicians are embedded in dynamic networks supporting their expertise development across dif...
Viable and productive social networks in organizations result in many positive outcomes for organiza...
In this paper we argue that leaders positively influence team performance through their positions in...
This paper builds on the analysis of factors observed at jazz jam sessions facilitating team creativ...
While numerous models examine the linkages between improvisation and innovation, the factors that mo...
One of the principal ways in which musical improvisation has impacted upon corporations, businesses,...
Connections between athletes and musicians have been drawn recently by scholars, sports psychologist...
The improvisation metaphor has been useful in helping us view organizations as collaborative, co-cre...
One of the principal ways in which musical improvisation has impacted upon corporations, businesses,...
By reconstructing the social networks among Jazz musicians, from 1930 to 1969, I obtain a topography...