Add to ORKGIn Cut/Copy/Paste: Fragments from the History of Bookwork, Whitney Trettien explores how seventeenth-century English publishers cut up and reassembled paper media into radical, bespoke publications, arguing that this ‘bookwork’ contributes to understanding digital scholarship and publishing today. Through its magnetic prose that narrates weird and joyous entanglements with the printed word, Trettien reveals that the lives of books are longer and stranger than we imagine, writes Sam di Bella. Cut/Copy/Paste: Fragments from the History of Bookwork. Whitney Trettien. University of Minnesota Press. 2021
In Passport to Peckham: Culture and Creativity in a London Village, Robert Hewison digs deep into th...
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The collection Cultivating Creativity in Methodology and Research: In Praise of Detours, edited by C...
In Cut/Copy/Paste: Fragments from the History of Bookwork, Whitney Trettien explores how seventeenth...
Drawing on her book, Cut/Copy/Paste, Whitney Trettien reflects on the history of radical bookwork an...
In Crumpled Paper Boat: Experiments in Ethnographic Writing, editors Anand Pandian and Stuart McLean...
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With A Brief History of Feminism, Antje Schrupp and illustrator Patu have crafted a graphic novel th...
In Cultural Heritage Infrastructures in Digital Humanities, editors Agiatis Benardou, Erik Champion,...
In Subversive Pedagogies: Radical Possibility in the Academy, Kate Schick and Claire Timperley bring...
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The literature review is a staple of the scholarly article. It allows authors to summarise previous ...
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While the iconic green spines of Virago Modern Classics have become a fixture in the literary imagin...
In Passport to Peckham: Culture and Creativity in a London Village, Robert Hewison digs deep into th...
In Hackerspaces: Making the Maker Movement, Sarah R. Davies examines the increasingly high profile o...
The collection Cultivating Creativity in Methodology and Research: In Praise of Detours, edited by C...
In Cut/Copy/Paste: Fragments from the History of Bookwork, Whitney Trettien explores how seventeenth...
Drawing on her book, Cut/Copy/Paste, Whitney Trettien reflects on the history of radical bookwork an...
In Crumpled Paper Boat: Experiments in Ethnographic Writing, editors Anand Pandian and Stuart McLean...
In Making Milk: The Past, Present and Future of Our Primary Food, editors Mathilde Cohen and Yoriko ...
Henry Brefo describes this book as a rich historical archive that enriches our understanding of the ...
With A Brief History of Feminism, Antje Schrupp and illustrator Patu have crafted a graphic novel th...
In Cultural Heritage Infrastructures in Digital Humanities, editors Agiatis Benardou, Erik Champion,...
In Subversive Pedagogies: Radical Possibility in the Academy, Kate Schick and Claire Timperley bring...
In Feeling Things: Objects and Emotions through History, editors Stephanie Downes, Sally Holloway an...
The literature review is a staple of the scholarly article. It allows authors to summarise previous ...
In Millicent Garrett Fawcett – available open access from UCL Press – Melissa Terras and Elizabeth C...
While the iconic green spines of Virago Modern Classics have become a fixture in the literary imagin...
In Passport to Peckham: Culture and Creativity in a London Village, Robert Hewison digs deep into th...
In Hackerspaces: Making the Maker Movement, Sarah R. Davies examines the increasingly high profile o...
The collection Cultivating Creativity in Methodology and Research: In Praise of Detours, edited by C...