Add to ORKGIn Cut/Copy/Paste: Fragments from the History of Bookwork, Whitney Trettien explores how seventeenth-century English publishers cut up and reassembled paper media into radical, bespoke publications, arguing that this ‘bookwork’ contributes to understanding digital scholarship and publishing today. Through its magnetic prose that narrates weird and joyous entanglements with the printed word, Trettien reveals that the lives of books are longer and stranger than we imagine, writes Sam di Bella. Cut/Copy/Paste: Fragments from the History of Bookwork. Whitney Trettien. University of Minnesota Press. 2021
With A Brief History of Feminism, Antje Schrupp and illustrator Patu have crafted a graphic novel th...
In Book Wars: The Digital Revolution in Publishing, John B. Thompson explores the digital transforma...
In Shredding Paper: The Rise and Fall of Maine’s Mighty Paper Industry, Michael G. Hillard offers a ...
In Cut/Copy/Paste: Fragments from the History of Bookwork, Whitney Trettien explores how seventeenth...
Drawing on her book, Cut/Copy/Paste, Whitney Trettien reflects on the history of radical bookwork an...
Henry Brefo describes this book as a rich historical archive that enriches our understanding of the ...
In Cultural Heritage Infrastructures in Digital Humanities, editors Agiatis Benardou, Erik Champion,...
In Crumpled Paper Boat: Experiments in Ethnographic Writing, editors Anand Pandian and Stuart McLean...
The digital era has changed the way we humans read a book. No longer are words confined to a bound l...
While the iconic green spines of Virago Modern Classics have become a fixture in the literary imagin...
In Circulating Enlightenment: The Career and Correspondence of Andrew Millar, 1725-68, Adam Budd bri...
In The Book, Amaranth Borsuk explores our ever-changing definitions and conceptions of the book in l...
In Little Platoons: How A Revived One Nation Can Empower England’s Forgotten Towns and Redraw The Po...
In Subversive Pedagogies: Radical Possibility in the Academy, Kate Schick and Claire Timperley bring...
A short, textually experimental version of the paper published in APRJA in this year
With A Brief History of Feminism, Antje Schrupp and illustrator Patu have crafted a graphic novel th...
In Book Wars: The Digital Revolution in Publishing, John B. Thompson explores the digital transforma...
In Shredding Paper: The Rise and Fall of Maine’s Mighty Paper Industry, Michael G. Hillard offers a ...
In Cut/Copy/Paste: Fragments from the History of Bookwork, Whitney Trettien explores how seventeenth...
Drawing on her book, Cut/Copy/Paste, Whitney Trettien reflects on the history of radical bookwork an...
Henry Brefo describes this book as a rich historical archive that enriches our understanding of the ...
In Cultural Heritage Infrastructures in Digital Humanities, editors Agiatis Benardou, Erik Champion,...
In Crumpled Paper Boat: Experiments in Ethnographic Writing, editors Anand Pandian and Stuart McLean...
The digital era has changed the way we humans read a book. No longer are words confined to a bound l...
While the iconic green spines of Virago Modern Classics have become a fixture in the literary imagin...
In Circulating Enlightenment: The Career and Correspondence of Andrew Millar, 1725-68, Adam Budd bri...
In The Book, Amaranth Borsuk explores our ever-changing definitions and conceptions of the book in l...
In Little Platoons: How A Revived One Nation Can Empower England’s Forgotten Towns and Redraw The Po...
In Subversive Pedagogies: Radical Possibility in the Academy, Kate Schick and Claire Timperley bring...
A short, textually experimental version of the paper published in APRJA in this year
With A Brief History of Feminism, Antje Schrupp and illustrator Patu have crafted a graphic novel th...
In Book Wars: The Digital Revolution in Publishing, John B. Thompson explores the digital transforma...
In Shredding Paper: The Rise and Fall of Maine’s Mighty Paper Industry, Michael G. Hillard offers a ...