Open Access (OA) publishing and FAIR Principles both present opportunities to make music and music scholarship available to broader audiences and for innovative uses. This paper leverages findings from interviews conducted with music scholars about their perception of the opportunities, benefits, and disadvantages of OA publishing to explore how they might embrace FAIR Principles. While musicologists’ engagement of OA is generally passive, their perception of it is positive enough that OA could be used as a starting point for a deeper understanding of FAIR Principles
While the FAIR Principles were developed for research data, they can also be aptly applied to other ...
This presentation describes various stages of open access and possibility of using creative common l...
Among the avenues for sharing research and scholarship, open access journals offer an increasingly v...
[Conclusion] While the embrace of Open Access within music scholarship and librarianship has been so...
Interviews with twenty-one music scholars in various subdisciplines explored experiences and motivat...
This thesis aims to explore how musicologists reason about publishing their articles in open-access ...
While the FAIR Principles were developed for research data, they can also be aptly applied to other ...
Music researchers work with increasingly large and complex data sets. There are few established data...
"In the fall of 2015, a collection of faculty at liberal arts colleges began a conversation about th...
Open Access (OA) refers to the free and immediate access to published information on the internet of...
This presentation reminds us that the 'principles' of OA were largely derived without the participat...
The issues surrounding open access (OA) publishing in academia are complex, sometimes misunderstood,...
Given some of the unique approaches to scholarship and research in the arts and humanities, how migh...
Open Access publishing is often said to be the future of academic journals, but the actual move from...
Slides for a presentation held at the RIOT Science Club. Abstract: Many music researchers are turni...
While the FAIR Principles were developed for research data, they can also be aptly applied to other ...
This presentation describes various stages of open access and possibility of using creative common l...
Among the avenues for sharing research and scholarship, open access journals offer an increasingly v...
[Conclusion] While the embrace of Open Access within music scholarship and librarianship has been so...
Interviews with twenty-one music scholars in various subdisciplines explored experiences and motivat...
This thesis aims to explore how musicologists reason about publishing their articles in open-access ...
While the FAIR Principles were developed for research data, they can also be aptly applied to other ...
Music researchers work with increasingly large and complex data sets. There are few established data...
"In the fall of 2015, a collection of faculty at liberal arts colleges began a conversation about th...
Open Access (OA) refers to the free and immediate access to published information on the internet of...
This presentation reminds us that the 'principles' of OA were largely derived without the participat...
The issues surrounding open access (OA) publishing in academia are complex, sometimes misunderstood,...
Given some of the unique approaches to scholarship and research in the arts and humanities, how migh...
Open Access publishing is often said to be the future of academic journals, but the actual move from...
Slides for a presentation held at the RIOT Science Club. Abstract: Many music researchers are turni...
While the FAIR Principles were developed for research data, they can also be aptly applied to other ...
This presentation describes various stages of open access and possibility of using creative common l...
Among the avenues for sharing research and scholarship, open access journals offer an increasingly v...