International audienceWar and Cinema in the Nazi era: Movies, documentaries, newsreels, and cartoons in the service of propaganda.The Nazi leaders recognized early that cinema was “one of the most modern means of manipulating the masses” (Goebbels, 1934). Considerable resources were then requisitioned to support the expansionist policies of Hitler and also win the “cultural war”. Beyond the spread of martial values, film images could also entertain and make people forget the hardships of the conflict. Fictional and historical films, documentaries, newsreels, cartoons, and advertisements: With communication strategies extremely refined, the regime encouraged the development of film productions in complementary areas, and made obscure thea...
Journée d'étude « Jeux inter-dits entre Art et Propagande » organisée le 7 avril 2011 par l'ASBL Mém...
International audienceThe Second World War and the memory of the nazism restricted significantly the...
Actes du Séminaire doctoral du laboratoire ICT - EA 337National audienceVincent LOWY retrace l'inten...
International audienceWar and Cinema in the Nazi era: Movies, documentaries, newsreels, and cartoons...
Cette étude décrit le marché des films allemands en Moselle pendant l'annexion du département à l'Al...
International audienceChaplin's politically engaged film The Great Dictator constituted a "primary" ...
International audienceAvec la déclaration de guerre et, à fortiori, lors des évacuations, les mécani...
Framing and Controlling the Propaganda Documentary During the Occupation, Jean-Pierre Bertin-Maghit....
This study describes the German film market in Moselle during the annexation of the department to Na...
Le Juif Süss de Veit Harlan est un film issu de la propagande nazie en fin 1940 visant à transmettre...
Following the fall of France in June 1940 and the installation of the Vichy Regime, government set a...
Dès sa prise de pouvoir en janvier 1933, le régime national-socialiste et son chef, Adolf Hitler, en...
International audienceLes films sur le national-socialisme fleurissent dans l’Allemagne réunifiée. L...
During four years of Vichy rule and German Occupation, French cinema audiences were exposed to a mul...
International audienceHistory is written in a cultural context where various voices, other than the ...
Journée d'étude « Jeux inter-dits entre Art et Propagande » organisée le 7 avril 2011 par l'ASBL Mém...
International audienceThe Second World War and the memory of the nazism restricted significantly the...
Actes du Séminaire doctoral du laboratoire ICT - EA 337National audienceVincent LOWY retrace l'inten...
International audienceWar and Cinema in the Nazi era: Movies, documentaries, newsreels, and cartoons...
Cette étude décrit le marché des films allemands en Moselle pendant l'annexion du département à l'Al...
International audienceChaplin's politically engaged film The Great Dictator constituted a "primary" ...
International audienceAvec la déclaration de guerre et, à fortiori, lors des évacuations, les mécani...
Framing and Controlling the Propaganda Documentary During the Occupation, Jean-Pierre Bertin-Maghit....
This study describes the German film market in Moselle during the annexation of the department to Na...
Le Juif Süss de Veit Harlan est un film issu de la propagande nazie en fin 1940 visant à transmettre...
Following the fall of France in June 1940 and the installation of the Vichy Regime, government set a...
Dès sa prise de pouvoir en janvier 1933, le régime national-socialiste et son chef, Adolf Hitler, en...
International audienceLes films sur le national-socialisme fleurissent dans l’Allemagne réunifiée. L...
During four years of Vichy rule and German Occupation, French cinema audiences were exposed to a mul...
International audienceHistory is written in a cultural context where various voices, other than the ...
Journée d'étude « Jeux inter-dits entre Art et Propagande » organisée le 7 avril 2011 par l'ASBL Mém...
International audienceThe Second World War and the memory of the nazism restricted significantly the...
Actes du Séminaire doctoral du laboratoire ICT - EA 337National audienceVincent LOWY retrace l'inten...