Add to ORKGIn ancient mythology, one cultural feature of the barbarians is silence conceived as the impossibility to use a civilized language. The cinematic translations of Euripides' Medea and of Shakespeare's Titus Andronicus both use a visual representation of silence to show some voiceless talk that somehow involve the barbarians. In Pasolini's movie, the barbarian Medea talks intensely with Jason without any word; in Julie Taymor's film Titus, Lavinia, raped and mutilated of her tongue by the sons of the barbarian queen Tamora, silently complains about her tormentors through the book that contains the ovidian tale of Philomela
The aim of this paper is to investigate the different ways in which silence is handled in one of Sop...
La rielaborazione dei miti di Edipo e Medea è compiuta nei film mitologici di Pasolini alla luce di ...
This communication adopts as its object a textual analysis of the film Medea by Pier Paolo Pasolini,...
In ancient mythology, one cultural feature of the barbarians is silence conceived as the impossibili...
All'interno del saggio si prende in analisi il ruolo svolto dal linguaggio nel Titus Andronicus, lin...
Our aim is to show how in the image of the barbarian, of the 'otherness', the Greek culture has larg...
Il saggio propone una lettura parallela di The Rape of Lucrece e Titus Andronicus in relazione al te...
Versió en català del document publicat en anglès a Faventia, 37, 2015, 91-122 [http://hdl.handle.net...
Versió en castellà del document publicat en anglès a Faventia, 37, 2015, 91-122 [http://hdl.handle.n...
In Aeschylean theatre silence reflects the feelings of the characters: anger, sadness, pain are ofte...
Deities of speech, deities of silence in Ancient Rome As opposed, to speech-god Aius Locutius, th...
In his films (Œdipus-Rex, 1967 ; Medea, 1970), Pasolini manifests a hankering after a form of the sa...
The article shows how Pasolini uses myth in his film Medea (1969). He opposes Medea�s word (archaic,...
Un'analisi del film 'Medea' di Pier Paolo Pasolini. La poetica pasoliniana è tutta incentrata sull’o...
Titus Andronicus, like Shakespeare’s other Roman plays, broaches questions of national, political an...
The aim of this paper is to investigate the different ways in which silence is handled in one of Sop...
La rielaborazione dei miti di Edipo e Medea è compiuta nei film mitologici di Pasolini alla luce di ...
This communication adopts as its object a textual analysis of the film Medea by Pier Paolo Pasolini,...
In ancient mythology, one cultural feature of the barbarians is silence conceived as the impossibili...
All'interno del saggio si prende in analisi il ruolo svolto dal linguaggio nel Titus Andronicus, lin...
Our aim is to show how in the image of the barbarian, of the 'otherness', the Greek culture has larg...
Il saggio propone una lettura parallela di The Rape of Lucrece e Titus Andronicus in relazione al te...
Versió en català del document publicat en anglès a Faventia, 37, 2015, 91-122 [http://hdl.handle.net...
Versió en castellà del document publicat en anglès a Faventia, 37, 2015, 91-122 [http://hdl.handle.n...
In Aeschylean theatre silence reflects the feelings of the characters: anger, sadness, pain are ofte...
Deities of speech, deities of silence in Ancient Rome As opposed, to speech-god Aius Locutius, th...
In his films (Œdipus-Rex, 1967 ; Medea, 1970), Pasolini manifests a hankering after a form of the sa...
The article shows how Pasolini uses myth in his film Medea (1969). He opposes Medea�s word (archaic,...
Un'analisi del film 'Medea' di Pier Paolo Pasolini. La poetica pasoliniana è tutta incentrata sull’o...
Titus Andronicus, like Shakespeare’s other Roman plays, broaches questions of national, political an...
The aim of this paper is to investigate the different ways in which silence is handled in one of Sop...
La rielaborazione dei miti di Edipo e Medea è compiuta nei film mitologici di Pasolini alla luce di ...
This communication adopts as its object a textual analysis of the film Medea by Pier Paolo Pasolini,...