Add to ORKGThe article draws on the wide range of extra-textual material available in film ephemera archives like the Bill Douglas Centre at the University of Exeter to address the formation of spectatorship and the response of specific gendered audiences in British silent film culture between 1918 and 1928
This article explores the advent of local newspaper movie contests in the 1910s and how these contes...
An examination of the reception of horror films during the silent and early sound period. While acad...
How did the rise of cinema affect authorship in Britain? This article examines the question in relat...
This study of female fan audiences across the period 1918 to 1928 seeks to engage and readdress conc...
This article aims to address the ways in which working-class and lower-middle-class British women us...
This essay examines select examples of British trade, fan and news press of the 1910s and 1920s in o...
This thesis explores women’s writing and its place in the formation of female film culture in the Br...
Film fan magazines were an important element of British silent cinema culture, and a significant pla...
This chapter explores children's film magazines as a particular subsection of the film periodical in...
What are the gaps in current film histories? Who has been forgotten and why? How can we write histor...
This report explores questions raised by materials found in the Bill Douglas Cinema Museum, Exeter. ...
Explores the concept of spectatorship in relation to gender in the earliest period of film history i...
The file attached to this record is the author's final peer reviewed version. The Publisher's final ...
This anthology exposes the richness and variety of interests that motivate feminist film research to...
To broaden our idea of audiences, in this article I will posit how we need to examine the ways that ...
This article explores the advent of local newspaper movie contests in the 1910s and how these contes...
An examination of the reception of horror films during the silent and early sound period. While acad...
How did the rise of cinema affect authorship in Britain? This article examines the question in relat...
This study of female fan audiences across the period 1918 to 1928 seeks to engage and readdress conc...
This article aims to address the ways in which working-class and lower-middle-class British women us...
This essay examines select examples of British trade, fan and news press of the 1910s and 1920s in o...
This thesis explores women’s writing and its place in the formation of female film culture in the Br...
Film fan magazines were an important element of British silent cinema culture, and a significant pla...
This chapter explores children's film magazines as a particular subsection of the film periodical in...
What are the gaps in current film histories? Who has been forgotten and why? How can we write histor...
This report explores questions raised by materials found in the Bill Douglas Cinema Museum, Exeter. ...
Explores the concept of spectatorship in relation to gender in the earliest period of film history i...
The file attached to this record is the author's final peer reviewed version. The Publisher's final ...
This anthology exposes the richness and variety of interests that motivate feminist film research to...
To broaden our idea of audiences, in this article I will posit how we need to examine the ways that ...
This article explores the advent of local newspaper movie contests in the 1910s and how these contes...
An examination of the reception of horror films during the silent and early sound period. While acad...
How did the rise of cinema affect authorship in Britain? This article examines the question in relat...