This article explores the advent of local newspaper movie contests in the 1910s and how these contests helped to create active movie fans. Such contests increased the popularity of the new medium of film by engaging local audiences in the process of filmmaking, including fans as scriptwriters and even stars. They helped to transform film into a dominant cultural practice by creating local spaces for film patrons to become part of the national pastime of going to the show. They did so by appealing directly to female spectators, who both legitimized going to the movies and created dynamic film fan communitie
This chapter explores the intersection of discourses on British girlhood and the film fan magazine i...
Communication prononcée dans le cadre de la conférence <i>Turning the page: Digitalization, movie ma...
This article explores how genre matters for the history of cinema audiences in south India. I focus ...
In the late 1910s and 1920s, a number of British national newspapers were involved in competitions t...
The focus of this thesis is an examination of newspaper and magazine articles, advertisements, revie...
International audienceThis paper concentrates on the use of French movie magazines of the interwar p...
This article aims to address the ways in which working-class and lower-middle-class British women us...
This article is part of a series of book excerpts from The Pop Culture Business Handbook for Cons an...
Historical investigation of film audiences and conditions of reception is an underdeveloped area of ...
This article assesses the extensive ‘reader competitions’ run in popular magazines and story papers ...
Most scholars would agree that cinephilia results not simply from a spontaneous love of movies but h...
This article examines the sharp increase in cinema attendance in the Netherlands during the First Wo...
The years between 1916 and 1918 were a key period in the integration of cinema into Irish society. I...
Item does not contain fulltextIn the United States, fan magazines formed an integral part of the fil...
The objective of this article is to examine the presence of cinema in World Fairs between the 1893 W...
This chapter explores the intersection of discourses on British girlhood and the film fan magazine i...
Communication prononcée dans le cadre de la conférence <i>Turning the page: Digitalization, movie ma...
This article explores how genre matters for the history of cinema audiences in south India. I focus ...
In the late 1910s and 1920s, a number of British national newspapers were involved in competitions t...
The focus of this thesis is an examination of newspaper and magazine articles, advertisements, revie...
International audienceThis paper concentrates on the use of French movie magazines of the interwar p...
This article aims to address the ways in which working-class and lower-middle-class British women us...
This article is part of a series of book excerpts from The Pop Culture Business Handbook for Cons an...
Historical investigation of film audiences and conditions of reception is an underdeveloped area of ...
This article assesses the extensive ‘reader competitions’ run in popular magazines and story papers ...
Most scholars would agree that cinephilia results not simply from a spontaneous love of movies but h...
This article examines the sharp increase in cinema attendance in the Netherlands during the First Wo...
The years between 1916 and 1918 were a key period in the integration of cinema into Irish society. I...
Item does not contain fulltextIn the United States, fan magazines formed an integral part of the fil...
The objective of this article is to examine the presence of cinema in World Fairs between the 1893 W...
This chapter explores the intersection of discourses on British girlhood and the film fan magazine i...
Communication prononcée dans le cadre de la conférence <i>Turning the page: Digitalization, movie ma...
This article explores how genre matters for the history of cinema audiences in south India. I focus ...