Martin Luther’s views on the pipe organ as a functional instrument in the liturgy of the Reformation have been regarded as controversial for over 500 years. Based on selective research in the past, he has too often unjustifiably been stigmatised as the reformer who fervently rejected the instrument extensively throughout his lifetime. The main purpose of this research is to affirm empirically Luther’s insights into music in general, and particularly the pipe organ, by assessing his personal comments, his change in perceptions that followed in subsequent years, as well as addressing a number of fabrications attributed to him pertaining to the instrument. The research also endeavours to dismiss ultimately the tenuous narrative that he ...