Add to ORKGThe structural, aesthetic, historical, and cultural implications of the use of Gustav Mahler's music in scoring the moving image are examined. Recurrent topics of death, homosexuality, and war, as well as challenges to rigid diegetic distinctions are identified against the backcloth of a comprehensive survey of the screen appropriation of Mahler's music
Monograph with a leading US University Press. A study which attempts to get to grips with not only w...
Despite the long history of music in film, its serious academic study is still a relatively recent d...
A study of the melodramatic use of Mahler's First and Second Symphonies in the ballet 'Dracula' by M...
The structural, aesthetic, historical, and cultural implications of the use of Gustav Mahler's music...
The structural, aesthetic, historical, and cultural implications of the use of Gustav Mahler‘s music...
The structural, aesthetic, historical, and cultural implications of the use of Gustav Mahler‘s music...
Mahler’s music has been used in over 130 films and television programmes. This appropriation general...
Ken Russell made several composers biopics, both for television and the big screen. In our opinion, ...
This paper will examine the relationship between Mahler and ‘moving image’ in the case of Woody Alle...
Over forty-five films made in Nazi Germany foregrounded classical music, despite the reluctance of f...
Rhizomatic models of historiography have been criticized for dislodging history from its ‘proper’ sp...
‘Wiki’ promotes the instantaneous exchange, consumption and re-fashioning of phenomena across global...
on the intermedial use of Mahler's music in the biopic Mahler by Ken Russellstatus: publishe
The rhizomatic, non-hierarchical model of historiography propounded by Gilles Deleuze, Félix Guattar...
Rethinking Mahler comprises a collection of essays by leading and emerging scholars in the field. It...
Monograph with a leading US University Press. A study which attempts to get to grips with not only w...
Despite the long history of music in film, its serious academic study is still a relatively recent d...
A study of the melodramatic use of Mahler's First and Second Symphonies in the ballet 'Dracula' by M...
The structural, aesthetic, historical, and cultural implications of the use of Gustav Mahler's music...
The structural, aesthetic, historical, and cultural implications of the use of Gustav Mahler‘s music...
The structural, aesthetic, historical, and cultural implications of the use of Gustav Mahler‘s music...
Mahler’s music has been used in over 130 films and television programmes. This appropriation general...
Ken Russell made several composers biopics, both for television and the big screen. In our opinion, ...
This paper will examine the relationship between Mahler and ‘moving image’ in the case of Woody Alle...
Over forty-five films made in Nazi Germany foregrounded classical music, despite the reluctance of f...
Rhizomatic models of historiography have been criticized for dislodging history from its ‘proper’ sp...
‘Wiki’ promotes the instantaneous exchange, consumption and re-fashioning of phenomena across global...
on the intermedial use of Mahler's music in the biopic Mahler by Ken Russellstatus: publishe
The rhizomatic, non-hierarchical model of historiography propounded by Gilles Deleuze, Félix Guattar...
Rethinking Mahler comprises a collection of essays by leading and emerging scholars in the field. It...
Monograph with a leading US University Press. A study which attempts to get to grips with not only w...
Despite the long history of music in film, its serious academic study is still a relatively recent d...
A study of the melodramatic use of Mahler's First and Second Symphonies in the ballet 'Dracula' by M...