Mahler and Film: The Case of Woody Allen

This paper will examine the relationship between Mahler and \u2018moving image\u2019 in the case of Woody Allen. As we know, the American director has a long-standing love affair with classical music. His films foreground music in many and interesting ways. One example can be found in "Another Woman" (1988). Here the Symphony No. 4 by Mahler plays an intra-diegetic role, but it goes beyond the simple \u2018informative function\u2019 about the social milieu of the main character. Mahler\u2019s music appears also in other films, but in a wider perspective it operates as a focal point of most of Allen\u2019s filmography. Through the comparative analysis between emblematic scenes, I\u2019ll try to explain the particular nature of the relationship between Allen and Mahler and in what sense this relationship constitutes an absolutely positive case of \u2018Mahler reception\u2019