Uses a recently discovered copy of Jospeh E. Worcester\u27s Universal and Critical Dictionary of the English Language (1849) signed by Whitman to argue for the likelihood of Whitman\u27s use of the book in his notebooks on language
Uses a letter written from Charles Dudley Warner to the editors of Houghton Mifflin to answer the qu...
Acknowledges that although the bibliographic evidence for dating Whitman\u27s language studies as af...
Discovers two variants of line 1118 of the 1855 poem eventually entitled "Song of Myself," indicatin...
Examines Whitmanian echoes in the poetry of German writer Gertrud Kolmar (1894-1943)
Prints a Whitman manuscript fragment about Emerson, in which Whitman calls Emerson too cautious ; f...
Contributes to the discourse surrounding the mystery of the nonexistent French translation of Leaves...
Demonstrates the importance of an early page of Whitman\u27s handwritten notes (currently in the Uni...
Argues that Whitman helped ghostwrite William Swinton\u27s book on language theory, Rambles Among Wo...
Walt Whitman\u27s twelve-poem Live Oak, with Moss sequence, composed in the late 1850s then broken...
Argues against common, negative assumptions about Whitman\u27s later poetry by defending the value o...
Transcribes and analyzes a Whitman manuscript from the Huntington (New York) Public Library, examini...
Examines Whitman\u27s relationship to nineteenth-century Anglo-Saxonism (as seen in such periodicals...
Reprints a 1965 letter from the editor\u27s secretary at the London Times Literary Supplement, verif...
Argues that Whitman scholarship has minimized the extent to which the poet envisioned Leaves of Gras...
Examines the recent controversy over the relationship of the "Live Oak, with Moss" sequence to the \...
Uses a letter written from Charles Dudley Warner to the editors of Houghton Mifflin to answer the qu...
Acknowledges that although the bibliographic evidence for dating Whitman\u27s language studies as af...
Discovers two variants of line 1118 of the 1855 poem eventually entitled "Song of Myself," indicatin...
Examines Whitmanian echoes in the poetry of German writer Gertrud Kolmar (1894-1943)
Prints a Whitman manuscript fragment about Emerson, in which Whitman calls Emerson too cautious ; f...
Contributes to the discourse surrounding the mystery of the nonexistent French translation of Leaves...
Demonstrates the importance of an early page of Whitman\u27s handwritten notes (currently in the Uni...
Argues that Whitman helped ghostwrite William Swinton\u27s book on language theory, Rambles Among Wo...
Walt Whitman\u27s twelve-poem Live Oak, with Moss sequence, composed in the late 1850s then broken...
Argues against common, negative assumptions about Whitman\u27s later poetry by defending the value o...
Transcribes and analyzes a Whitman manuscript from the Huntington (New York) Public Library, examini...
Examines Whitman\u27s relationship to nineteenth-century Anglo-Saxonism (as seen in such periodicals...
Reprints a 1965 letter from the editor\u27s secretary at the London Times Literary Supplement, verif...
Argues that Whitman scholarship has minimized the extent to which the poet envisioned Leaves of Gras...
Examines the recent controversy over the relationship of the "Live Oak, with Moss" sequence to the \...
Uses a letter written from Charles Dudley Warner to the editors of Houghton Mifflin to answer the qu...
Acknowledges that although the bibliographic evidence for dating Whitman\u27s language studies as af...
Discovers two variants of line 1118 of the 1855 poem eventually entitled "Song of Myself," indicatin...
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