Discovers two variants of line 1118 of the 1855 poem eventually entitled "Song of Myself," indicating that Whitman interrupted the printing of the first edition of Leaves of Grass to make a significant revision
Discusses a previously unknown non-parodic Whitman imitation that pre-dates Adah Isaac Menken\u27s I...
Examines the relationship between Whitman and his 1881 Boston publisher, James Ripley Osgood, emphas...
Introduces and presents what had been a lost essay by Whitman, first published in Life Illustrated o...
Analyzes consistencies and inconsistencies in Whitman\u27s use of punctuation for line endings in th...
Demonstrates the importance of an early page of Whitman\u27s handwritten notes (currently in the Uni...
Examines a previously unrecorded notice of the first edition of Leaves of Grass published in the Sep...
Presents two 1856 reviews of the 1855 edition of Leaves of Grass not included in Kenneth M. Price\u2...
Walt Whitman\u27s twelve-poem Live Oak, with Moss sequence, composed in the late 1850s then broken...
Offers a close examination of the floriated font on the cover of the 1855 Leaves of Grass, compares ...
Offers the results to date for the census of copies of the first edition of Leaves of Grass, reporti...
Few scholars have attempted to conduct a close examination of Whitman\u27s relationship to his publi...
Describes a unique copy of the 1882 Camden "Author\u27s Edition" of Leaves of Grass, inscribed by Wh...
Introduces two little-known sketches Whitman made for the spine of the 1856 edition of Leaves of Gra...
Contributes to the discourse surrounding the mystery of the nonexistent French translation of Leaves...
Argues that Whitman scholarship has minimized the extent to which the poet envisioned Leaves of Gras...
Discusses a previously unknown non-parodic Whitman imitation that pre-dates Adah Isaac Menken\u27s I...
Examines the relationship between Whitman and his 1881 Boston publisher, James Ripley Osgood, emphas...
Introduces and presents what had been a lost essay by Whitman, first published in Life Illustrated o...
Analyzes consistencies and inconsistencies in Whitman\u27s use of punctuation for line endings in th...
Demonstrates the importance of an early page of Whitman\u27s handwritten notes (currently in the Uni...
Examines a previously unrecorded notice of the first edition of Leaves of Grass published in the Sep...
Presents two 1856 reviews of the 1855 edition of Leaves of Grass not included in Kenneth M. Price\u2...
Walt Whitman\u27s twelve-poem Live Oak, with Moss sequence, composed in the late 1850s then broken...
Offers a close examination of the floriated font on the cover of the 1855 Leaves of Grass, compares ...
Offers the results to date for the census of copies of the first edition of Leaves of Grass, reporti...
Few scholars have attempted to conduct a close examination of Whitman\u27s relationship to his publi...
Describes a unique copy of the 1882 Camden "Author\u27s Edition" of Leaves of Grass, inscribed by Wh...
Introduces two little-known sketches Whitman made for the spine of the 1856 edition of Leaves of Gra...
Contributes to the discourse surrounding the mystery of the nonexistent French translation of Leaves...
Argues that Whitman scholarship has minimized the extent to which the poet envisioned Leaves of Gras...
Discusses a previously unknown non-parodic Whitman imitation that pre-dates Adah Isaac Menken\u27s I...
Examines the relationship between Whitman and his 1881 Boston publisher, James Ripley Osgood, emphas...
Introduces and presents what had been a lost essay by Whitman, first published in Life Illustrated o...