This paper intends to investigate the 'indigenization' of hip hop in Italy between the 80s and 90s of the twentieth century, through the perspective of figures such as the French intellectual Georges Lapassade. During the 'long Eighties', characterized by the decline of collective organization forms and the 'ebb' into a private dimension, by the triumph of 'neo-television' and by deep processes of consumer homologation, hip hop's countercultural language seemed to provide an alternative to the decline of the categories of 'class' and 'generation', as vectors of social conflict and transformation. In the years of the definitive decline of the Italian party system that emerged from the Resistance, of the explosion of the disruptive and fatuou...