Add to ORKGBy building a sense of community and creating a unique storyworld through imagination, Claybourne (1998) was also a harbinger of things to come. The “proudly New Zealand” serialized radio drama, broadcast on commercial radio, was designed as stealth drama for its radio station’s demographic. Reborn as an audio drama in the digital age, Claybourne anticipated many of the qualities that have characterized some of the most popular podcast dramas of recent years
This article examines what the relationship between audio drama and radio drama might illuminate abo...
BBC radio drama has been restyled and re-branded as “audio drama” in a 21st century of new broadcast...
This paper explores the characteristics of storytelling in a digital medium through Season One of th...
By building a sense of community and creating a unique storyworld through imagination, Claybourne (1...
We make a case for the necessity, the pleasure, and the provocation of radio drama by arguing that i...
We make a case for the necessity, the pleasure, and the provocation of radio drama by arguing that i...
Technological advances, such as the podcast, have made the creation of audio drama easier, less expe...
The success of the Serial podcast, a true crime spin-off from the widely popular This American Life,...
Podcasts are useful for influencing the way the audience thinks – audio drama especially lends itsel...
This article considers the 2014 podcast Serial within a context of technical change and podcast hist...
When Ben Hammersley quickly pulled the word “podcasting” out of the air for a Guardian article in 20...
When Ben Hammersley quickly pulled the word “podcasting” out of the air for a Guardian article in 20...
Online audio drama creates the potential not just for new forms and patterns of listening (on-demand...
BBC radio’s post-war years constitute a golden age of successful populist drama and situation-comedy...
Digital technology has democratised the audio storytelling space in a quite profound way. This artic...
This article examines what the relationship between audio drama and radio drama might illuminate abo...
BBC radio drama has been restyled and re-branded as “audio drama” in a 21st century of new broadcast...
This paper explores the characteristics of storytelling in a digital medium through Season One of th...
By building a sense of community and creating a unique storyworld through imagination, Claybourne (1...
We make a case for the necessity, the pleasure, and the provocation of radio drama by arguing that i...
We make a case for the necessity, the pleasure, and the provocation of radio drama by arguing that i...
Technological advances, such as the podcast, have made the creation of audio drama easier, less expe...
The success of the Serial podcast, a true crime spin-off from the widely popular This American Life,...
Podcasts are useful for influencing the way the audience thinks – audio drama especially lends itsel...
This article considers the 2014 podcast Serial within a context of technical change and podcast hist...
When Ben Hammersley quickly pulled the word “podcasting” out of the air for a Guardian article in 20...
When Ben Hammersley quickly pulled the word “podcasting” out of the air for a Guardian article in 20...
Online audio drama creates the potential not just for new forms and patterns of listening (on-demand...
BBC radio’s post-war years constitute a golden age of successful populist drama and situation-comedy...
Digital technology has democratised the audio storytelling space in a quite profound way. This artic...
This article examines what the relationship between audio drama and radio drama might illuminate abo...
BBC radio drama has been restyled and re-branded as “audio drama” in a 21st century of new broadcast...
This paper explores the characteristics of storytelling in a digital medium through Season One of th...