Add to ORKGTechnological advances, such as the podcast, have made the creation of audio drama easier, less expensive, and potentially more accessible and democratic in English-speaking countries such as the US, the UK, and New Zealand in the second decade of the twenty-first century. Using the case studies of Snape’s Diaries, Der Tickentocker, and Maudelayne, the article examines whether satellite audio drama will remain free to download and if so, how it will sustain momentum in an increasingly commercialized online world
This article will attempt to analyze the history of podcasting as a cultural practice of producing a...
Born out of interviews with the producers of some of the most popular and culturally significant pod...
This article explores the impact of the post-2014 podcast resurgence on nonfictional audio storytell...
The audio drama audience in English-speaking countries such as the US, the UK, and New Zealand in th...
BBC radio drama has been restyled and re-branded as “audio drama” in a 21st century of new broadcast...
We make a case for the necessity, the pleasure, and the provocation of radio drama by arguing that i...
We make a case for the necessity, the pleasure, and the provocation of radio drama by arguing that i...
Online audio drama creates the potential not just for new forms and patterns of listening (on-demand...
This article examines what the relationship between audio drama and radio drama might illuminate abo...
The world of audio is undergoing seismic changes. Traditionally a space dominated by linear radio pr...
Although it is one of the most neglected fields of performance culture, throughout its history audio...
When Ben Hammersley quickly pulled the word “podcasting” out of the air for a Guardian article in 20...
When Ben Hammersley quickly pulled the word “podcasting” out of the air for a Guardian article in 20...
The future of radio is now much less obvious and clear than it appeared 10 years ago. Instead of a t...
Today more than half of all radio listening in the UK is occurring through digital platforms. Within...
This article will attempt to analyze the history of podcasting as a cultural practice of producing a...
Born out of interviews with the producers of some of the most popular and culturally significant pod...
This article explores the impact of the post-2014 podcast resurgence on nonfictional audio storytell...
The audio drama audience in English-speaking countries such as the US, the UK, and New Zealand in th...
BBC radio drama has been restyled and re-branded as “audio drama” in a 21st century of new broadcast...
We make a case for the necessity, the pleasure, and the provocation of radio drama by arguing that i...
We make a case for the necessity, the pleasure, and the provocation of radio drama by arguing that i...
Online audio drama creates the potential not just for new forms and patterns of listening (on-demand...
This article examines what the relationship between audio drama and radio drama might illuminate abo...
The world of audio is undergoing seismic changes. Traditionally a space dominated by linear radio pr...
Although it is one of the most neglected fields of performance culture, throughout its history audio...
When Ben Hammersley quickly pulled the word “podcasting” out of the air for a Guardian article in 20...
When Ben Hammersley quickly pulled the word “podcasting” out of the air for a Guardian article in 20...
The future of radio is now much less obvious and clear than it appeared 10 years ago. Instead of a t...
Today more than half of all radio listening in the UK is occurring through digital platforms. Within...
This article will attempt to analyze the history of podcasting as a cultural practice of producing a...
Born out of interviews with the producers of some of the most popular and culturally significant pod...
This article explores the impact of the post-2014 podcast resurgence on nonfictional audio storytell...