Add to ORKGVienna, December 1996. Whiteread and Schlieker working on the text of Whiteread’s presentation on the way to the F.T.U Concrete Factory. Whiteread inspects different sections of the memorial. Her VO describes her reasons for using concrete. She discusses, with several people, including Werner Baumüller, Werkstatt Kollerschlag, reasons why some of the lettering needs to be re-done and how that should happen. Later that day. Whiteread getting ready for a television interview. In the "Live broadcast, ORF TV", Whiteread quotes from a letter from the Mayor that it is "an unshakeable fact" that the Holocaust Memorial will be completed and will be erected on Judenplatz. Early the next morning. Whiteread being interviewed by journalists
The heritage preservation law of 1975 attached particular importance to monuments, which sought to a...
The architect of the proposed Glossa XX Architectural Project for the Italian Memorial in Block " at...
In a time when 'internationalization' and 'diversity' have become key areas universities are expecte...
Rachel Whiteread’s Studio, London, May 1996. Her VO saying that good memorials are difficult to mak...
Model of Rachel Whiteread’s Holocaust memorial; VO by Simon Wiesenthal describes it as being a memor...
London, February 1997. Boxes of books. Whiteread filling shelves. Her VO says she no longer has a...
Model of Rachel Whiteread’s Holocaust memorial; VO by Simon Wiesenthal describes it as being a memor...
The Tate, Liverpool, September 1996. Assembling Whiteread’s work Shedding Life (1996). Lord Gowrie...
At the beginning of 1998 the final round of the 1997 Memorial for the Murdered Jews of Europe artist...
View within the monument area; Fernsehturm Berlin (television tower) in the distance; A memorial in ...
Silent Witness examines the British sculptor Rachel Whiteread’s Nameless Library, (1996-2000), a hol...
The following paper will elaborate on the basis of the memorial by Rachel Whiteread in Vienna, Austr...
The proliferation of memory-sites following the reunification of Germany in 1990 was a testament to ...
The changes which took place a quarter of a century ago in the countries of Europe’s Eastern Bloc tr...
Diese Arbeit untersucht die architektur-semiotischen Wirkung von Holocaust Gedenkorten auf ihre Betr...
The heritage preservation law of 1975 attached particular importance to monuments, which sought to a...
The architect of the proposed Glossa XX Architectural Project for the Italian Memorial in Block " at...
In a time when 'internationalization' and 'diversity' have become key areas universities are expecte...
Rachel Whiteread’s Studio, London, May 1996. Her VO saying that good memorials are difficult to mak...
Model of Rachel Whiteread’s Holocaust memorial; VO by Simon Wiesenthal describes it as being a memor...
London, February 1997. Boxes of books. Whiteread filling shelves. Her VO says she no longer has a...
Model of Rachel Whiteread’s Holocaust memorial; VO by Simon Wiesenthal describes it as being a memor...
The Tate, Liverpool, September 1996. Assembling Whiteread’s work Shedding Life (1996). Lord Gowrie...
At the beginning of 1998 the final round of the 1997 Memorial for the Murdered Jews of Europe artist...
View within the monument area; Fernsehturm Berlin (television tower) in the distance; A memorial in ...
Silent Witness examines the British sculptor Rachel Whiteread’s Nameless Library, (1996-2000), a hol...
The following paper will elaborate on the basis of the memorial by Rachel Whiteread in Vienna, Austr...
The proliferation of memory-sites following the reunification of Germany in 1990 was a testament to ...
The changes which took place a quarter of a century ago in the countries of Europe’s Eastern Bloc tr...
Diese Arbeit untersucht die architektur-semiotischen Wirkung von Holocaust Gedenkorten auf ihre Betr...
The heritage preservation law of 1975 attached particular importance to monuments, which sought to a...
The architect of the proposed Glossa XX Architectural Project for the Italian Memorial in Block " at...
In a time when 'internationalization' and 'diversity' have become key areas universities are expecte...