London, February 1997. Boxes of books. Whiteread filling shelves. Her VO says she no longer has any control over what’s happening. She is reluctant to go to Austria to finish the component parts as she has no guarantee that it wouldn’t be erected somewhere other than Judenplatz. Making plaster casts of shelves of books for an exhibit at the Venice Biennale. She describes the piece as she works, and talks about the Vienna situation. Venice, June 1997. Unpacking her exhibits. Crowds at the British Pavilion. Whiteread’s Untitled (Ten Tables) (1997), Untitled (Paperbacks) (1997). Amnon Barzel, Monument Jury Member, talks about the Holocaust memorial situation, saying that if it is not to be completed, this will mark a new approach ...
The heritage preservation law of 1975 attached particular importance to monuments, which sought to a...
The publication of the pavilion at the 52nd Venice Biennial groups theoretical and visual contributi...
For a number of years we have been observing the negative phenomenon of a constant deterioration of ...
Model of Rachel Whiteread’s Holocaust memorial; VO by Simon Wiesenthal describes it as being a memor...
The Tate, Liverpool, September 1996. Assembling Whiteread’s work Shedding Life (1996). Lord Gowrie...
Model of Rachel Whiteread’s Holocaust memorial; VO by Simon Wiesenthal describes it as being a memor...
Rachel Whiteread’s Studio, London, May 1996. Her VO saying that good memorials are difficult to mak...
Vienna, December 1996. Whiteread and Schlieker working on the text of Whiteread’s presentation on t...
At the beginning of 1998 the final round of the 1997 Memorial for the Murdered Jews of Europe artist...
This presentation deals with the complex question posed by the Italian Auschwitz Memorial: work of d...
The architect of the proposed Glossa XX Architectural Project for the Italian Memorial in Block " at...
Silent Witness examines the British sculptor Rachel Whiteread’s Nameless Library, (1996-2000), a hol...
The proliferation of memory-sites following the reunification of Germany in 1990 was a testament to ...
Evoking Genocide compiles more than sixty short essays written by leading scholars and activists in ...
Writing the Monument : Site, Memory, Critique. As contemporary monument-makers begin to challenge ...
The heritage preservation law of 1975 attached particular importance to monuments, which sought to a...
The publication of the pavilion at the 52nd Venice Biennial groups theoretical and visual contributi...
For a number of years we have been observing the negative phenomenon of a constant deterioration of ...
Model of Rachel Whiteread’s Holocaust memorial; VO by Simon Wiesenthal describes it as being a memor...
The Tate, Liverpool, September 1996. Assembling Whiteread’s work Shedding Life (1996). Lord Gowrie...
Model of Rachel Whiteread’s Holocaust memorial; VO by Simon Wiesenthal describes it as being a memor...
Rachel Whiteread’s Studio, London, May 1996. Her VO saying that good memorials are difficult to mak...
Vienna, December 1996. Whiteread and Schlieker working on the text of Whiteread’s presentation on t...
At the beginning of 1998 the final round of the 1997 Memorial for the Murdered Jews of Europe artist...
This presentation deals with the complex question posed by the Italian Auschwitz Memorial: work of d...
The architect of the proposed Glossa XX Architectural Project for the Italian Memorial in Block " at...
Silent Witness examines the British sculptor Rachel Whiteread’s Nameless Library, (1996-2000), a hol...
The proliferation of memory-sites following the reunification of Germany in 1990 was a testament to ...
Evoking Genocide compiles more than sixty short essays written by leading scholars and activists in ...
Writing the Monument : Site, Memory, Critique. As contemporary monument-makers begin to challenge ...
The heritage preservation law of 1975 attached particular importance to monuments, which sought to a...
The publication of the pavilion at the 52nd Venice Biennial groups theoretical and visual contributi...
For a number of years we have been observing the negative phenomenon of a constant deterioration of ...