The author begins by analyzing Walter Benjamin’s quarrel with George Kreis and the respective visions of culture advocated by both sides of the debate. Then, he offers a reading of a poem by Paul Celan in which the poet sides with Benjamin, but also makes his position more complex, ultimately offering a paradoxical figure of “the secret openness” or “open/public secrecy” as a remedy against the “mystery” of the Georgians. This idea can be seen as developed in Jacques Derrida’s understanding of secrecy, which the author proceeds to analyze. The secrecy as a deconstructive rift in the public discourse, a split which tears it open, can be seen as opposed both to the undemocratic mystery and to the seeming openness of globalatinization. After c...