In books VI and VII of Apuleius’ Metamorphoses we find the robbers delivering some orations, which imitatethe genus deliberativum: they display sollemnity and refined elegance to such an extent, that the reader, beingaware that they proceed from the most heinous rogue’s lips, cannot but smile by himself.Composing this part of his tale, Apuleius also falls back on and re-treats some elements of the greek novel, inparticular the representation of the band of robbers like a sort of perverted state.In this article I will first show the resemblances that Apuleius’ rogue-tales share with the same places of theGreek novels’ writers, then I will continue to examine the speeches found in books VI and VII.I will demonstrate with how much elaboration ...
Phaedrus, Martial, and Apuleius are aware that their works belong to a ‘low’ literary genre, and the...
Cupid and Psyche, the expositional myth that interrupts the narrative of Apuleius' novel Metamorphos...
In Apuleius' Metamorphoses, the text speaks, introducing itself to its audience in its own voice. Wh...
A study on characterization in Apuleius' Metamorphoses. 1) The robber gangs, between fiction and rea...
This paper aims at discussing the relationship between ancient robbers and Roman army in Apuleius' M...
The novel emerged as a successful literary form in the Greek-speaking world. Latin culture, instead,...
Lucius, the protagonist of Apuleius’ novel, the Metamorphoses, after being transformed into a donkey...
Apuleius Madaurensis has written his Eleven Books Metamorphoses (or The Golden Ass) in the late seco...
To see in the Metamorphoses a work of pure entertainment or an initiation story is a false problem. ...
Literature and Identity in The Golden Ass of Apuleius is the first English translation of a work p...
Este artículo presenta un breve análisis de la relación entre los ladrones y el ejército romano en L...
The major question in the study of Apuleius’ Metamorphoses concerns the interpretation of Lucius’ re...
Apuleius Madaurensis has written his Eleven Books Metamorphoses (or The Golden Ass) in the late seco...
The playful manipulation of ritual, literary and legal elements marks the Festival of Laughter in Bo...
Apuleius' novel ambiguously fashions itself both as a written book and as an oral account. However, ...
Phaedrus, Martial, and Apuleius are aware that their works belong to a ‘low’ literary genre, and the...
Cupid and Psyche, the expositional myth that interrupts the narrative of Apuleius' novel Metamorphos...
In Apuleius' Metamorphoses, the text speaks, introducing itself to its audience in its own voice. Wh...
A study on characterization in Apuleius' Metamorphoses. 1) The robber gangs, between fiction and rea...
This paper aims at discussing the relationship between ancient robbers and Roman army in Apuleius' M...
The novel emerged as a successful literary form in the Greek-speaking world. Latin culture, instead,...
Lucius, the protagonist of Apuleius’ novel, the Metamorphoses, after being transformed into a donkey...
Apuleius Madaurensis has written his Eleven Books Metamorphoses (or The Golden Ass) in the late seco...
To see in the Metamorphoses a work of pure entertainment or an initiation story is a false problem. ...
Literature and Identity in The Golden Ass of Apuleius is the first English translation of a work p...
Este artículo presenta un breve análisis de la relación entre los ladrones y el ejército romano en L...
The major question in the study of Apuleius’ Metamorphoses concerns the interpretation of Lucius’ re...
Apuleius Madaurensis has written his Eleven Books Metamorphoses (or The Golden Ass) in the late seco...
The playful manipulation of ritual, literary and legal elements marks the Festival of Laughter in Bo...
Apuleius' novel ambiguously fashions itself both as a written book and as an oral account. However, ...
Phaedrus, Martial, and Apuleius are aware that their works belong to a ‘low’ literary genre, and the...
Cupid and Psyche, the expositional myth that interrupts the narrative of Apuleius' novel Metamorphos...
In Apuleius' Metamorphoses, the text speaks, introducing itself to its audience in its own voice. Wh...