International audienceThis paper proposes some clues for a formal framework for representing and manipulating knowledge about musical perception. Our purpose is to set up a perception model that will enable us to simulate the behaviour of an agent in listening situation. It will lead to produce an "intelligent" representation of a piece of music. We apply ourselves here to characterize intervention of Time in the musical perception in initiating a formal comparison between several models. Reasoning within a classical time logic supposes to take a priori time as a cause to describe the nature of knowledge. Our approach consists in supposing that the structure of knowledge a posteriori informs time; thus the nature of time is a consequence of...
We develop in this thesis a computational model of music expectation, which may be one of the most i...
International audienceNineteen Temporal Semiotic Units (TSU) have been defined by musicians and rese...
My dissertation is based differentiating individually experienced, musical time, and shared, astrono...
'In-time' representations of music in which the time represented is the same time as inhabited by th...
The topic of this thesis is time perception with the special insight into time perception in music. ...
M. Cardaci's (2000) Mental Clock Model maintains that a task requiring a low mental workload is asso...
M. Cardaci's (2000) Mental Clock Model maintains that a task requiring a low mental workload is asso...
Music is sonic matter shaped in time. As such it calls forth two levels of description: the physical...
This paper explores timescales within absolute and psychological times, and identifies the many fact...
The present study investigated the learning of a culturally unfamiliar musical rhythm, leading to th...
Perception is a constructive mental process, which cannot be considered impersonally. Similarly, mus...
The research presented is based on the study of music, the study of mind and the study of machine. M...
Formal logic can be used for expressing certain aspects of musical coherence. In this paper, a frame...
International audienceNineteen Temporal Semiotic Units (TSU) have been defined by musicians and rese...
International audienceNineteen Temporal Semiotic Units (TSU) have been defined by musicians and rese...
We develop in this thesis a computational model of music expectation, which may be one of the most i...
International audienceNineteen Temporal Semiotic Units (TSU) have been defined by musicians and rese...
My dissertation is based differentiating individually experienced, musical time, and shared, astrono...
'In-time' representations of music in which the time represented is the same time as inhabited by th...
The topic of this thesis is time perception with the special insight into time perception in music. ...
M. Cardaci's (2000) Mental Clock Model maintains that a task requiring a low mental workload is asso...
M. Cardaci's (2000) Mental Clock Model maintains that a task requiring a low mental workload is asso...
Music is sonic matter shaped in time. As such it calls forth two levels of description: the physical...
This paper explores timescales within absolute and psychological times, and identifies the many fact...
The present study investigated the learning of a culturally unfamiliar musical rhythm, leading to th...
Perception is a constructive mental process, which cannot be considered impersonally. Similarly, mus...
The research presented is based on the study of music, the study of mind and the study of machine. M...
Formal logic can be used for expressing certain aspects of musical coherence. In this paper, a frame...
International audienceNineteen Temporal Semiotic Units (TSU) have been defined by musicians and rese...
International audienceNineteen Temporal Semiotic Units (TSU) have been defined by musicians and rese...
We develop in this thesis a computational model of music expectation, which may be one of the most i...
International audienceNineteen Temporal Semiotic Units (TSU) have been defined by musicians and rese...
My dissertation is based differentiating individually experienced, musical time, and shared, astrono...