This paper explores timescales within absolute and psychological times, and identifies the many factors that affect our perception of time passing and estimation of durations, which inevitably influence our perception of musical structures; in particular, it discusses listening experiences, and theoretical approaches to psychological states and emotional responses. It proposes a process according to which the time-influencing factors operate between listener and music. The discussion is approached through the lens of the electroacoustic composer and makes references to short excerpts from the author’s work and related repertoire. However, as the paper discusses time in relation to sound structures, it is also relevant to other time-based so...
Inspired by Denis Smalley’s theoretical ideas on spectromorphology and Albert Bregman’s (1990) audit...
The aim of this study was to identify the psycho-musical factors that govern time evaluation in West...
Sears asserted that music demands time-ordered behavior. Upon close examination of his writings, it...
In my endeavour to try and understand the main mechanisms of time perception in electroacoustic musi...
Time is an integral element in music. The chronometric duration of a piece of music often differs fr...
In this article the author approached to musical time as complex phenomena using terms such as absol...
In trying to structure our discussions of temporal experience in music, it could be useful to have a...
M. Cardaci's (2000) Mental Clock Model maintains that a task requiring a low mental workload is asso...
How does music manifest through time and, simultaneously, how does time manifest through music? For...
My dissertation is based differentiating individually experienced, musical time, and shared, astrono...
UIDB/00693/2020 UIDP/00693/2020By way of a multidisciplinary approach, this article advances the ide...
The current review addresses two internal clock models that have dominated discussions in timing res...
M. Cardaci's (2000) Mental Clock Model maintains that a task requiring a low mental workload is asso...
The current review addresses two internal clock models that have dominated discussions in timing res...
The topic of this thesis is time perception with the special insight into time perception in music. ...
Inspired by Denis Smalley’s theoretical ideas on spectromorphology and Albert Bregman’s (1990) audit...
The aim of this study was to identify the psycho-musical factors that govern time evaluation in West...
Sears asserted that music demands time-ordered behavior. Upon close examination of his writings, it...
In my endeavour to try and understand the main mechanisms of time perception in electroacoustic musi...
Time is an integral element in music. The chronometric duration of a piece of music often differs fr...
In this article the author approached to musical time as complex phenomena using terms such as absol...
In trying to structure our discussions of temporal experience in music, it could be useful to have a...
M. Cardaci's (2000) Mental Clock Model maintains that a task requiring a low mental workload is asso...
How does music manifest through time and, simultaneously, how does time manifest through music? For...
My dissertation is based differentiating individually experienced, musical time, and shared, astrono...
UIDB/00693/2020 UIDP/00693/2020By way of a multidisciplinary approach, this article advances the ide...
The current review addresses two internal clock models that have dominated discussions in timing res...
M. Cardaci's (2000) Mental Clock Model maintains that a task requiring a low mental workload is asso...
The current review addresses two internal clock models that have dominated discussions in timing res...
The topic of this thesis is time perception with the special insight into time perception in music. ...
Inspired by Denis Smalley’s theoretical ideas on spectromorphology and Albert Bregman’s (1990) audit...
The aim of this study was to identify the psycho-musical factors that govern time evaluation in West...
Sears asserted that music demands time-ordered behavior. Upon close examination of his writings, it...